Books — hermiene.net

Contains Grow Old Along with Me (which became Pebble in the Sky), The End of Eternity (which became a novel with the same name), and two versions of Belief (the unpublished and the published versions).

Grow Old Along with Me takes place in the Galactic Era (when humans have colonized millions of worlds) and deals with an Earth plot to take revenge at the rest of the Galaxy for its poor treatment of the Earth, and to establish the Earth as the ruling world. (As a side-note, no one in the Galaxy really knows if humanity originated on a single planet, or if they originated on several worlds more or less simultaneously and, when each planet became space-faring, met and interbred to form the humanity that is the Galactic Empire. Most adhere to the latter, which they call the Merger Theory. The former is called the Radiation Theory and is believed by a small sect on Earth calling themselves the Ancients.)

The End of Eternity is a time travel short story about the so-called Eternals who live in Eternity and alter the realities of different centuries by making quantum changes.

Belief is a story about Roger Toomey who one morning discovers that he can levitate, and centers around his attempts at getting his fellow physicists to believe him. The two versions (the unpublished and the published) differ only in the endings. My favorite of these is by far the published version of Belief (Asimov preferred the unpublished one), because it tells a beautiful story in a beautiful way. My least favorite is The End of Eternity, because time travel is full of paradoxes (and I really dislike paradoxes).

Unlike Asimov's previous compilation of jokes, Isaac Asimov's Treasury of Humor, this one isn't divided into categories; rather, it's a long story of one joke flowing neatly into the next one, with banter inbetween.

I like this style much better, as evidenced by the copious amount of dog-earing in my paperback edition.

Let me give you some samples.

One psychiatrist met another and greeted him with, "You're fine; how am I?"

A German was giving an impassioned speech at the United Nations and the interpreter was silent.

"What's he saying?" someone whispered to the interpreter.

"I don't know yet," said the interpreter. "I'm waiting for the verb."

An astronomer said, "What's the use!
Our classical knowledge is loose.
There can be nothing stupider
Than to name that world Jupiter,
When we all know it should be called Zeus."

"As for screwing," said Little Miss Muffet,
"I proclaim here and now that I love it.
I defy the authority
Of the Moral Majority.
They can take all their preaching and stuff it."

This is a collection of essays by Asimov on numbers and mathematics. It discusses how we got the concept of zero (from India via the Arabs), exponents, factorials, aleph numbers (there are actually different kinds of infinities), pi, imaginary numbers, huge numbers (like googol, but that doesn't even scratch the surface), the metric system (yum), and a host of other stuff. It also has an essay on animals and their sizes.

As with most essay collections from Asimov, this one is a sure-fire good read. Asimov explains in detail (but not too painful detail) a lot of difficult mathematics, step by careful step. Unlike a lot of his other collections, this one feels a little miscellaneous, but that doesn't at all detract from its quality.

This is a thick door-stopper of a book, dealing with all of science (and the history of science in general). It's divided into two major parts, The Physical Sciences and The Biological Sciences.

Asimov wrote very well fiction, but I think non-fiction is where he shines, and this book is no exception. Go buy it, and get an overview of the vast fields of science!

Perhaps The best non-robot non-Foundation science fiction of Isaac Asimov would be a more fitting, if longer, title for the book. This is an anthology of stories chosen by Asimov himself, with commentary preceding each story.

This is a collection of robot stories that he wrote between 1940 and 1976. They're not grouped chronologically, but by theme (and this works really well). The stories, of course, revolve around robots; non-humanoid, immobile, metallic, and humanoid (there's even an android in the last story, but I've already spoiled too much).

Some of these stories are amazing, and you should go pick up this anthology now. My favorites are A Boy's Best Friend, Victory Unintentional, Segregationist, Evidence, Feminine Intuition, and The Bicentennial Man.

An anthology with short stories which each presents a "dangerous vision" (although I would call them "visions for thought").

These thirty-two stories are all excellent in their own ways, but some stand out as superbly excellent. I've transcribed these and put them on my Short Stories page. They are Shall the Dust Praise Thee?, Evensong, The Malley System, Carcinoma Angels, and A Toy For Juliette. These are teasers, and I believe no further review is necessary. Go buy this book.

Mankind has opened Eternity, and a group of people there constantly interfere with the Centuries to iron out mistakes and keep mankind safe.

I normally don't like time-travel stories because they're confusing. This one is also pretty confusing, but it's well-written confusion, and I can recommend it on that point alone.

Miniaturization is reality, but indefinite miniaturization isn't; that knowledge resides within the brain of Jan Benes, a scientist who defects to the West. Unfortunately, there is an assassination attempt which leaves Benes comatose, and a blood clot develops in his brain. A team of scientists are miniaturized and injected into Benes' body in a submarine rudimentarily outfitted with a laser and have only 60 minutes to remove the clot before they are de-miniaturized (which would make the submarine expand and in the process kill Benes).

Not a sequel to Fantastic Voyage, this novel revolves around neurophysiologist Albert Jonas Morrison and his crew's journey into the brain of a scientist by way of miniaturization. Morrison has some fringe theories on how the mind works and how it is theoretically possible to amplify brain waves and, in effect, sense thoughts. For this reason, his fellow scientists don't respect him very much, and for this reason, he is hired (read the book and you'll understand) by a team of Russian scientists who want Morrison and his computer to join them in a mission inside a man's brain to sense his thoughts.

The story, in essence, is the same as that of Fantastic Voyage, except that FV is a straight novelization of the movie script (the novel appeared before the movie, interestingly) while FVII is the same story as Asimov would have told it. I prefer the latter because the conundrums of miniaturization are discussed in much greater detail as Morrison is extremely sceptical about it at first.

Fifty short-short stories from fifty different authors are collected here.

Almost all of the stories are truly excellent, and I have transcribed some of the best ones and put them on my Short Stories page (Men Are Different, Texas Week, The Haunted Space Suit, and Counter Charm). Go there for a sample before you buy the book. (You will buy it, remember.)

The first part is an anthology of short stories, while the two last parts are non-fiction dealing with concepts in science fiction and on writing science fiction, respectively.

Goes through the human body, from head to torso, muscles to blood, skin to genitalia, explaining in good detail how it all works.

As always, it's written in clear prose, and is easily accessible. If you have a moderate interest in human anatomy, this is the book for you.

This is Asimov's third and last autobiography, started in early 1990 after a complicated operation, and finished in May 1990 (Asimov died in 1992). His two previous autobiographies are called In Memory Yet Green and In Joy Still Felt, and their titles, Asimov tells in this book, are from a poem by Asimov himself:

"In memory yet green, in joy still felt
The scenes of life rise sharply into view.
We triumph; Life's disasters are undealt,
And while all else is old, the world is new."

From this, Asimov wanted to call this third volume The Scenes of Life, but sadly that title didn't survive editorial tampering.

This is a more or less chronological account of Asimov's life, arranged in 166 smallish chapters, each dealing with a different subject or person (Asimov had a lot of well-known friends), and everything is thoroughly entertaining. If you pick up this book, I promise you'll have a hard time putting it down.

As advertised on the front cover, the book contains 640 jokes, anecdotes, and limericks, complete with notes on how to tell them. The jokes are sorted into eleven chapters (Anticlimax, Shaggy Dog, Paradox, Put-down, Word Play, Tables Turned, Jewish, Ethnic, Religion, Marriage, and Bawdy), more or less successfully (apparently it's hard to classify jokes).

Most of the jokes are pretty good, and some stand out. Here's a little selection:

Science has a language of its own which sometimes puzzles laymen. The word "obvious" is a case in point.

Thus a professor of physics, deriving some profound point of theory for the class, scribbled an equation on the board and said, "From this, it is obvious that we can proceed to write the following relationship —" and he scribbled a second equation on the board.

Then he paused. He stared hard at the two equations and said, "Wait a while. I may be wrong —"

He sat down, seized a pad and started to write furiously. He paused for thought, crossed out what he had written, and began over. In this fashion, half an hour passed while the class held its breath and sat in absolute silence.

Finally, the professor rose with an air of satisfaction and said, "Yes, I was right in the first place. It is obvious that the second equation follows from the first."

Two gentlemen, both hard of hearing and strangers to each other, were about to ride the London Underground. One of them, peering at the station they were entering, said, "Pardon me, sir, but is this Wembley?"

"No," said the other, "Thursday."

"No, thank you," said the first, "I've already had my little drink."

The Latin professor arrived home in a state of utter confusion, and much the worse for wear. His jacket was torn, his trousers muddy, his hat a battered ruin, his eyeglasses bent askew.

His wife ran to him, startled. "Septimus," she cried, "whatever has happened to you?"

"Why, my dear," said the professor, seating himself carefully, "I scarcely know. I was passing the corner of Second and Main when, without provocation of any sort on my part, I was suddenly assaulted by two hoodla."

The curator of one zoo was shipping several animals to another zoo, and wrote an accompanying letter which said in part, "Included are the two mongeese you asked for."

The curator paused. "Mongeese" looked funny.

He tore up the letter and tried again, saying, "Included are the two mongooses you asked for."

That looked funny, too.

After long thought, the curator began a third time and now completed it without trouble. He wrote in part, "Included is the mongoose which you requested. Included is also the other mongoose which you also requested."

Tell me why the stars do shine;
Tell me why the ivy twines;
Tell me why the skies are blue;
And I will tell you why I love you.

Nuclear fusion makes the stars to shine;
Tropisms make the ivy twine;
Rayleigh scattering makes skies so blue;
Testicular hormones is why I love you.

I highly recommend the book.

Follows the planet Kalgash, a planet with perpetual daylight due to having six suns, through a devastating astronomical event that only occurs every 2049 years (termed a Year of Godliness by the book's religious fanatics, the Apostles of Flame). The Apostles of Flame propagate the idea that on a precise day (Theptar the 19th, as it happens), there will be total Darkness, everyone will go mad, and the Stars will shoot fires from the skies, all as a vengeance from the gods for the wicked and sinful ways of the planet's inhabitants. A band of scientists, initially opposed to the Apostles' ideas, eventually realize, through new evidence (archaeological and astronomical), that some of what the Apostles propagate is true. Unfortunately, the population at large believes neither the Apostles nor the scientists.

Nightfall was originally a short story and people generally prefer the short story version because the book just draws it out. I will have to read the short story before I can draw a proper verdict, but I'll tentatively say, "read this book."

Explains atoms and isotopes, planets and satellites, novas and supernovas. It also contains a title essay, which is available online. In it, he explains that there is a continuum from right to wrong, and that it's possible to be righter and wronger. For instance, if you think the Earth is flat you are wronger than if you think the Earth is a sphere. You're still wrong, because the Earth is more like an oblate spheroid, but even that is wrong. And so on.

This is an anthology of a few stories that are (perhaps paradoxically) not found in The Complete Robot, and a few essays about robots and computers in general.

A collection of 101 essays divided into seven sections: The Future, Space, Science, SciQuest, "Foreword by Isaac Asimov", Science Fiction, and Personal.

Almost all Asimov essays are excellent and when you pick up an anthology of them you're almost bound not to be disappointed, and this book is no exception except for the section "Foreword by Isaac Asimov", which is simply a collection of forewords to various books. This isn't too bad in itself (in fact, they are all rather well-written), but I, at least, when reading positive forewords and blurbs and reviews, positively want to get the book being foreworded/blurbed/reviewed. Other than that section, I can thoroughly recommend the book. (For a taste of the book, read What Is the Universe?)

In the introduction Asimov says that the title of the eponymous essay (The Tyrannosaurus Prescription) is whimsical, but I disagree. It is actually a prescription for an ill, and it's not at all whimsical. Read the essay if you want to find out why I think so.

This is an essay collection broken into four parts: Biology, chemistry, physics, and astronomy. As the subtitle says, it's a brilliant overview of the exciting realms of science. The title invokes the image of viewing science from above, to get an overview of it, and in the introduction Asimov likens science before 1800 to a well-managed orchard. After 1800, it's overgrown and even though there's still an underlying order to it, each wanderer through the orchard only gets to see a small part of it.

"So I have here a collection of essays with little internal unity. They are glimpses, here and there, of the orchard of science, as viewed from a height."

The book explains Greek mythology and its relationship to the English language in the form of its words ('chaos', 'cosmos', 'gigantic', 'atlas', 'ocean', 'Europe', 'cereal', 'phobia', 'demon', 'martial', 'vulcano', 'jovial', 'music', 'hygiene', 'siren', 'hubris', 'nemesis'). Asimov describes a lot of Greek mythology in-depth, but primarily for the purpose of explaining the origins and meanings of those words (and many others). He covers the titans, the Olympians, monsters, heroes and the siege of Troy.

Asimov explains, as the book is titled, the words in Genesis, the first book of the Bible.

This is actually more than simply a list and explanation of the words used in Genesis. It goes into great detail into important verses in Genesis, explaining the history behind the verses as well as the etymologies of the words used (Asimov was Jewish by descent and spoke Yiddish, which helps). There are even appendices with maps of the relevant areas of the time, and genealogies of antediluvian (pre-Flood) and postdiluvian patriarchs.

An alphabetical listing of common words in science, with one page of explanation for each of them.

Asimov explains a whole bunch of common scientific words, from abacus to zodiac, in great detail and with particular care to their etymologies (it should be no surprise that many of today's English words are derived from either Latin or Greek, and this book makes that point more than clear). The book is in a sense an encyclopedia, and it can be read straight through or used as, well, an encyclopedia.

Biron Farrill wakes up in his dorm room in the University of Earth to discover a radiation bomb. He then has to quickly escape and figure out who the assassin is.

The title is taken from a (fictional, to my best knowledge) poem:

"The stars, like dust, encircle me
In living mists of light;
And all of space I seem to see
In one vast burst of sight."

Asimov almost never disappoints, and this book is no exception. It's a well-paced and thrilling novel with interesting characters. In particular (as is common with Asimov's novels), the dialog is excellent and abundant.