Books — hermiene.net

The Abominable Earthman contains five short stories, and one long-ish one (taking up the bulk of the book).

The Abominable Earthman, the titular story, is about what happens when green-skinned aliens conquer Earth in a short span of time, and the adventures of a small group of people who are trying to overthrow them.

We Never Mention Aunt Nora is about a most curious pregnancy and an aunt who we don't talk about...

A Life and a Half is about a very bleak future which runs very efficiently, alright, but about which something else is off.

Punch is a strange little story about benevolent aliens.

The Martian Star-Gazers reads like an anthropology report on the previous inhabitants of Mars.

Whatever Counts, the longest of the stories, is about a group of colonists and the crew who are hauling them to Aleph Four, a satellite of a Jupiter-like planet a long way off (the journey takes eighteen years). There's also a rhinoceroid alien race of graceful and fast creatures who lack any kind of subconscious who feature prominently (to say more would spoil).

Three Portraits and a Prayer is a very short story about a dying scientist, his doctor, and an evil millionaire.

Unfortunately, almost all the short stories fell rather flat for me. It's all very well written, but some of the stories left me wondering what the point was. The Martian Star-Gazers stood out for me. There's not a whole lot of action in it, but the way it's written made it very interesting to read. It's written almost as thought it were a piece of anthropology, describing Martian mythology and the stars in their skies and what it meant to them. Whatever Counts, the longest story in the collection, also stood out. There aren't too many main characters and Pohl develops them in style: In the end, one really does care about them and their motives, and the aliens, the Gormen, are enigmatic and fit the story very well.

I can't recommend this one unless you really want those two stories. However, you're probably better off buying another Pohl collection with those two in them.

Manfred Macx, a heavily augmented transhuman in the early 21st century, is a visionary and a so-called venture altruist: He roams the world, giving ideas away for free and turning paradigms upside-down as a matter of course. The novel follows him towards a technological singularity, his daughter Amber through it, and her son, Sirhan, after it.

This novel is somewhat special in that it is chuck full of jargon (e.g. 419) and techno-speculation (e.g. utility fog). Have a dictionary handy if you want to avoid being drowned in it. It's when you understand all of it, if only superficially, that the novel becomes the brilliant flair of wild ideas that it is.

A passenger plane goes into a series of deep dives and climbs, killing three and injuring many. The novel spans the week following the accident, and follows the team who tries to clear it up.

Contains Grow Old Along with Me (which became Pebble in the Sky), The End of Eternity (which became a novel with the same name), and two versions of Belief (the unpublished and the published versions).

Grow Old Along with Me takes place in the Galactic Era (when humans have colonized millions of worlds) and deals with an Earth plot to take revenge at the rest of the Galaxy for its poor treatment of the Earth, and to establish the Earth as the ruling world. (As a side-note, no one in the Galaxy really knows if humanity originated on a single planet, or if they originated on several worlds more or less simultaneously and, when each planet became space-faring, met and interbred to form the humanity that is the Galactic Empire. Most adhere to the latter, which they call the Merger Theory. The former is called the Radiation Theory and is believed by a small sect on Earth calling themselves the Ancients.)

The End of Eternity is a time travel short story about the so-called Eternals who live in Eternity and alter the realities of different centuries by making quantum changes.

Belief is a story about Roger Toomey who one morning discovers that he can levitate, and centers around his attempts at getting his fellow physicists to believe him. The two versions (the unpublished and the published) differ only in the endings. My favorite of these is by far the published version of Belief (Asimov preferred the unpublished one), because it tells a beautiful story in a beautiful way. My least favorite is The End of Eternity, because time travel is full of paradoxes (and I really dislike paradoxes).

An asteroid of respectable size plunges into the Pacific, starting the apocalypse. The novel follows a group of people through it.

Overall the story is very gripping, but at times I felt there were too many characters to make each of them stand out, which made it harder to sympathize with them. The writing is good and the pacing is OK; I definitely recommend it.

Perhaps The best non-robot non-Foundation science fiction of Isaac Asimov would be a more fitting, if longer, title for the book. This is an anthology of stories chosen by Asimov himself, with commentary preceding each story.

The novel starts abruptly with two scenes of American and Russian astronauts preparing to embark on their different (irrelevant) missions, only to be halted by the sudden appearance of starships above major cities of the Earth. It's explained in short order how these benevolent aliens manage, in only a few years, to clean up our mess. War, disease, and want are all things of the past, and humanity now lives in peace with itself. Eventually the aliens make themselves and their plans known...

This novel is considered by many Clarke fans to be his best (even Clarke himself considered it that, along with The Songs of Distant Earth), and I'll have to tentatively agree (the final verdict will have to wait until I've read more of Clarke's work). The story is engaging and spans many decades, the characters are interesting, the aliens' motives understandable (and even sympathetic), the pacing is good... The only complaint I have is that I wished it was longer. It feels like there should be more to this story!

Definitely go pick this up!

The story takes place on Earth several billion years in the future. It revolves around the huge city of Diaspar, which has cloistered itself under an artificial roof. No one can leave the city, and no one even wants to. People are no longer born naturally, but emerge from the Hall of Creation. They live for centuries, and when they decide it's time to "die" they simply choose which memories they wish to keep, and are then stored in the Memory Banks, to return centuries later from the Hall of Creation. These Memory Banks also house the patterns for everything in the city (buildings, furniture, what have you) so that when one wishes something (a chair, for instance), one simply asks for it and it will materialize. As a by-product, nothing ever wears down; the city (and its inhabitants) are practically immortal.

Into this mix emerges Alvin, a Unique (meaning it's his first life). These aren't unheard of, but they're very rare. The story is really about Alvin and his adventures to unravel the secrets of the city's (and Earth's) mysterious and myth-laden past.

I thorougly enjoyed it. If I have one complaint it's that I wish we learned more about the Invaders, but this doesn't detract from the story (for reasons which I won't go into due to the spoiler potential).

Six separate stories running from the late 1800s into the deep future are interwoven in various ways. The chapters first tell the first part of each story until the middle chapter, where then the second parts of the stories are told in reverse order (see the structure, you'll understand).

I watched the movie before reading the book (in fact, watching the movie spurred me into reading it), so my review is naturally colored by that. I loved the movie, and the book is even better.

It's extremely well-written, and the tone of each chapter is fitting for the time period. The language of the chapters that take place in the future is also apt. An example from the chapter "Sloosha's Crossin' an' Ev'rythin' After", set in the deep future:

Yay, Old'uns' Smart mastered sicks, miles, seeds an' made miracles ord'nary, but it din't master one thing, nay, a hunger in the hearts o' humans, yay, a hunger for more.

I strongly recommend this novel. It's a joy to read from start to finish.

A collection of virtually every short story of Arthur C. Clarke. See Structure for links to some of them.

The stories are of varying quality, although most are very good (and some are truly excellent). As this is a compilation, it's hard to give a verdict, but I definitely recommend it to you if you're a Clarke fan.

This is a collection of robot stories that he wrote between 1940 and 1976. They're not grouped chronologically, but by theme (and this works really well). The stories, of course, revolve around robots; non-humanoid, immobile, metallic, and humanoid (there's even an android in the last story, but I've already spoiled too much).

Some of these stories are amazing, and you should go pick up this anthology now. My favorites are A Boy's Best Friend, Victory Unintentional, Segregationist, Evidence, Feminine Intuition, and The Bicentennial Man.

This novel primarily follows three people: Carol Dawson, a journalist for the Miami Herald; Nick Williams, a diver, adventurer, and boat owner; and his partner, Troy Williams. Carol, interested in a curious incident of a beached whale and a rumour about a submerged Navy missile, decides to enlist the help of Nick and Troy.

Unfortunately, this novel isn't so much science fiction as thriller and drama, which was a little disappointing. It would make a good movie I think, but as a novel the story isn't driven forward as it should, there is too much characterization (without meaning), and the ending fell absolutely flat for me. You can safely skip this one.

An anthology with short stories which each presents a "dangerous vision" (although I would call them "visions for thought").

These thirty-two stories are all excellent in their own ways, but some stand out as superbly excellent. They are Shall the Dust Praise Thee?, Evensong, The Malley System, Carcinoma Angels, and A Toy For Juliette. Go buy this book.

NASA discovers a meteoric rock under the Milne Ice Shelf which contains a fossil, and the story centers around this remarkable find. Involved in their own ways are a senator, a senator's daughter, a senator's aide, the U.S. President, and several organizations.

I can't remember where I got this book, but I reckon it's pretty rare to come across as it's not normally sold, but was given away free with the October 1995 issue of BBC Focus. It's an anthology of short science fiction stories from budding British authors.

A few of the stories fell flat, but some are good (I really enjoyed Blood Music). If you happen to come across it, you might want to buy it, if only for its rarity.

Mankind has opened Eternity, and a group of people there constantly interfere with the Centuries to iron out mistakes and keep mankind safe.

I normally don't like time-travel stories because they're confusing. This one is also pretty confusing, but it's well-written confusion, and I can recommend it on that point alone.

A collection of short stories and essays, the essays focusing for the most part on WWII and the atomic bomb.

A really nice read. I especially liked How to Be a Survivor, Nothing Ever Happens on the Moon, and Paul Dirac, Antimatter, and You.

It's the near future, and the Moon is a place for tourism. The novel opens with Pat Harris, skipper of the boat Selene, enjoying a cruise with his two-dozen-or-so passengers across the (fictional) Sea of Thirst. At the time of the novel's writing in 1960 it was reasonably assumed that the so-called "seas" of the Moon consisted of very fine dust. Selene, therefore, was imagined as a ship capable of crossing these seas. However, like an ant falling into an antlion's trap (the analogy is one of the character's), Selene sinks into the Sea of Thirst, and the rest of the novel is concerned with, alternately, the people aboard, the search party above, and the various other interested parties (TV crews, overseers, and what have you).

An immensely gripping novel! To call it science fiction is technically correct, but the SF serves merely as the backdrop for the human drama. And what a drama it is! Go pick this up!

Miniaturization is reality, but indefinite miniaturization isn't; that knowledge resides within the brain of Jan Benes, a scientist who defects to the West. Unfortunately, there is an assassination attempt which leaves Benes comatose, and a blood clot develops in his brain. A team of scientists are miniaturized and injected into Benes' body in a submarine rudimentarily outfitted with a laser and have only 60 minutes to remove the clot before they are de-miniaturized (which would make the submarine expand and in the process kill Benes).

Not a sequel to Fantastic Voyage, this novel revolves around neurophysiologist Albert Jonas Morrison and his crew's journey into the brain of a scientist by way of miniaturization. Morrison has some fringe theories on how the mind works and how it is theoretically possible to amplify brain waves and, in effect, sense thoughts. For this reason, his fellow scientists don't respect him very much, and for this reason, he is hired (read the book and you'll understand) by a team of Russian scientists who want Morrison and his computer to join them in a mission inside a man's brain to sense his thoughts.

The story, in essence, is the same as that of Fantastic Voyage, except that FV is a straight novelization of the movie script (the novel appeared before the movie, interestingly) while FVII is the same story as Asimov would have told it. I prefer the latter because the conundrums of miniaturization are discussed in much greater detail as Morrison is extremely sceptical about it at first.

Fifty short-short stories from fifty different authors are collected here.

Almost all of the stories are truly excellent, and I have transcribed some of the best ones and put them on my Short Stories page (Men Are Different, Texas Week, The Haunted Space Suit, and Counter Charm). Go there for a sample before you buy the book. (You will buy it, remember.)

Flatland chronicles the adventure of A. Square, a being in Flatland. Flatland consists of only two dimensions, as opposed to Pointland, which consists of zero dimensions, Lineland, which consists of one dimension, and Spaceland (the one we inhabit), which consists of three dimensions. It describes at length the society in Flatland, and how they go about tasks that we Spacelanders find trivial. For instance, everyone is a Polygon. The more equal all its angles and the more sides it has, the higher its social rank. Lowest are women (or the Frailer Sex, as they are often called) who are mere Lines and have no chance of rising in rank. Then come the Triangles, which are men. Then Squares (of which the narrator, A. Square, is naturally a member), Pentagons, Hexagons, Heptagons, Octagons, etc. The more sides a Polygon has, the closer it gets to being a Circle. They're the top leaders of every aspect of Flatland's society.

Flatland is a classic, and even though it's written in the 1880s in Victorian English, it's still eminently readable (and funny). You might have to read a little carefully at first to get used to the age of the language, but once you've picked it up you'll have no trouble enjoying this excellent story.

Flatterland is sort of an unofficial sequel to Abbott's classic Flatland, written in modern non-Victorian English. Although Victorian English gave the original a pretty classy feel, Flatterland doesn't disappoint. Its aim is similar to that of the original: To explain new mathematical concepts to lay people in lay language.

The book succeeds brilliantly. It's filled with illustration to help visualize the concepts, and the stories around which the concepts are introduced are reminiscent of Alice's Adventures in Wonderland (well, the fact that chapters have names like The Topologist's Tea-Party and Along the Looking-Glass probably helps), and this gives the book a whimsical tone (that's a benefit). Here's a sample:

"Is Planiturth's universe built from mathematics? Or is mathematics built by the minds of Planiturthians? Planiturthian mathematicians would like to think that their universe is built from mathematics, but that's only natural, after all. Planiturthian physicists would like to think that the Planiturthian universe is built from physics. Planiturthian biologists would like to think that the Planiturthian universe is built from biology. Planiturthian philosophers would like to think that the Planiturthian universe is built from philosophy. (Let me tell you a secret: it is. The fundamental unit of the Planiturthian universe is the philosophon, a unit of logic so tiny that only a philosopher could hope to split it.)"

The book also ventures a little into physics, explaining things like the Schrödinger's cat, the double-slit experiment, time travel, and forces. But the meat of the book is mathematics.

The first part is an anthology of short stories, while the two last parts are non-fiction dealing with concepts in science fiction and on writing science fiction, respectively.

The year is 2276, and the furthest world colonized by mankind is Titan, the largest moon of Saturn (and one of the largest in the Solar System). Titan is home to a quarter of a million people, selected for intelligence, endurance, and any other characteristic necessary for such a mission. Among them is a powerful political trio, Malcolm Makenzie (the "grandfather"), Colin Makenzie (the "father"), and Duncan Makenzie (the "son"), Colin being a clone of Malcolm, and Duncan in turn being a clone of Colin. Duncan is sent as an emissary to Earth for the fourth Centennial of the United States. The bulk of the novel follows Duncan on his adventures on Earth.

A good novel, but not excellent; the end of the book doesn't tie up enough loose ends, and the book is more about politics than science fiction. Not necessarily a bad thing, but I felt sort of cheated.

I'll still recommend it. There's a wonderful scene where Duncan's grandmother presents him with a set of pentominoes made of Titanite (a crystal native to Titan) and a ten-by-six box into which to fit the pieces (see the Wikipedia article for solutions).

The Axis powers of Japan and Germany win WWII and divide the world among themselves. The story follows a small number of characters in this alternate history. The title comes from a fictitious novel called The Grasshopper Lies Heavy, written by Hawthorne Abendsen. Grasshopper is about an alternate history (from the novel's point of view) where the Allied forces won WWII. Being a heretical notion, Abendsen perpetuates a myth that he lives in a fortified house (castle); hence the title.

It was a riveting read, but I was left wondering what the point of the novel was.

A collection of short stories woven together into a coherent whole. The stories concern Mars, and humanity's efforts to colonize it.

I really enjoyed all the "chapters" (short stories), but "Usher II" really stood out, being an homage to E. A. Poe. Definitely recommended.

Follows the planet Kalgash, a planet with perpetual daylight due to having six suns, through a devastating astronomical event that only occurs every 2049 years (termed a Year of Godliness by the book's religious fanatics, the Apostles of Flame). The Apostles of Flame propagate the idea that on a precise day (Theptar the 19th, as it happens), there will be total Darkness, everyone will go mad, and the Stars will shoot fires from the skies, all as a vengeance from the gods for the wicked and sinful ways of the planet's inhabitants. A band of scientists, initially opposed to the Apostles' ideas, eventually realize, through new evidence (archaeological and astronomical), that some of what the Apostles propagate is true. Unfortunately, the population at large believes neither the Apostles nor the scientists.

Nightfall was originally a short story and people generally prefer the short story version because the book just draws it out. I will have to read the short story before I can draw a proper verdict, but I'll tentatively say, "read this book."

John Wainwright is born several months late, a seemingly normal child who, it's quickly discovered, is anything but. His mental powers are off the charts, and he learns at a tremendous rate. As a consequence of all this accelerated mentation, his physical body's maturation is severely hampered such that by age 16 he looks like a ten-year-old.

As John learns quickly, he very soon becomes bored with whatever object is holding his attention. For instance, he soon tires of language:

It had ceased to be a new art, and had become merely a useful means of communication, to be extended and refined only as new spheres of experience came within his ken and demanded expression.

The novel follows him throughout his life, narrated by a free-lance journalist friend of his. The book proposes to be published long after the events contained in it. In fact, the end of the novel is flatly stated in the first chapter (but not to worry, I won't spoil it; I'll let Stapledon do that).

Much of the novel is spent ruminating on what it means to be superhuman (they call themselves supernormals and Homo superior). From our narrator's perspective, many of Odd John's actions seem flat out amoral, and even though John can't properly explain the situation to the narrator (for the simple reason that John's logic is superior to his), one nevertheless is left with a feeling that maybe John is right.

I immensely enjoyed this novel. It's really interesting to follow John through his life, and Stapledon does a wonderful job of conveying the various parts of John's life to us, through a sympathetic and competent narrator. I have only one complaint: The latter parts of the book are about John's voyages around the world to find fellow-supernormals to populate and keep his Colony running. I wish this part comprised more of the book, as I think those chapters were the most interesting. Nevertheless, I can thoroughly recommend it!

A group of computer programmers working under a professor discovers that the 2D simulation program they've developed, 2Dworld, is somehow connected with an actual two-dimensional world inhabited by intelligent creatures. They establish contact with Yendred, and through him, they learn a lot about his world.

This book is a sort of unofficial sequel to Abbott's famous Flatland, and it's one hell of a riveting read. I'm having a hard time making up my mind as to which of the unofficial sequels (Ian Stewart's Flatterland and Dionys Burger's Sphereland) are the superior; they're all simply really, really good.

Larry Stark, a Space Patrol Academy cadet on board the Carden, is completing his post-graduate space cruise (required to become an officer), a trip to Alpha Centauri's colonized fourth planet. Unknown to him and his crew, the planet is under revolt, and Stark is required to make some hard choices about where his loyalties lie.

It was a very pleasant read; the book is definitely a page-turner, but the ending is rather sudden. I'd like to read more of what happens after the end.

A quote:

Larry caught glimpses of the great beasts living below—living without any suspicion that the planet was no longer theirs, that its possession was being contested by two groups of absurd pygmies from another star.

This is an anthology of a few stories that are (perhaps paradoxically) not found in The Complete Robot, and a few essays about robots and computers in general.

The Earth is swallowed in the explosion of the Sun in the year 3620, and the novel begins with the landing of the starship Magellan on the now-colonized planet of Thalassa, a world covered almost entirely in ocean except for three closely linked islands. They need to repair their ship for their upcoming journey to their real destination, a planet called Sagan 2, which, with their millions of colonists in cryo-sleep, they hope to colonize.

Almost the entirety of the novel takes place on Thalassa.

A very beautiful novel full of memorable scenes. (The lifting of the kilometer-wide hexagonal ice blocks for the ship's shield comes to mind.) The pacing is good, the characters are well-developed, and the writing is excellent (but then again, this is a Clarke novel).

Somewhat of a sequel to Flatland, Sphereland continues in the same vein, explaining three dimensions to two-dimensional creatures. The pace and mode of writing is pretty similar to the original, and I very much liked that. The novel things that Sphereland does is two-dimensional space exploration and explaining a curved line to a one-dimensional being (and thus setting up the explanation for why two-dimensional beings would have problems understanding a plane curved into a sphere, and by extension how three-dimensional beings would have trouble understanding how to curve a sphere around a hyper-sphere).

A classic military SF book. An alien arachnid race launches a meteor upon unsuspecting Earth which crushes Buenos Aires, plunging the two races into war.

There's a lot of monolog from the protagonist's teacher in History and Moral Philosophy, Jean V. Dubois. For me, this is really the meat of the book. The rest is character development and furtherance of the story.

There is a movie based on the novel with the same name, and it follows the novel really closely. The only things missing from it are the jump-suits the troopers wear and the so-called neo-dogs, dogs with their intelligence amped to approximately human retardedness level that are used for reconnaissance.

A man born of human parents but raised on Mars arrives on Earth and goes on to learn as much about it as possible. He learns about religion and eventually founds his own church (which turns out to be more of a school than a church) where he teaches Martian so that Martian concepts can be readily communicated and understood; things like levitation, teleportation, and telepathy are available so long as you learn the language. The title is a reference to the Bible. From the KJV, Exodus 2:22:

"And she bare him a son, and he called his name Gershom: for he said, I have been a stranger in a strange land."

This book is also the book from which the term 'grok' comes. See the Jargon file entry on grok.

I think the portrayal of Michael (the man from Mars) as he learns more and more about Earth is very well-written and his progression is reflected in his speech pretty well.

It's the future, and simulating near-perfect replicas of people in software is routine. At first it's used for entertainment, simulating historical figures from the past, but it isn't long before things get interesting...

Each chapter is written by a different author, and deals with two famous persons from the past: Enter a Soldier. Later: Enter Another is about Francisco Pizarro and Socrates, The Resurrection Machine about Cicero and Bakunin, Statesmen about Friedrich Hohenzollern and Machiavelli, The Rose and the Scalpel about Joan of Arc and Voltaire (who, without spoiling too much, have a Great Debate), and finally How I Spent My Summer Vacation is about Queen Victoria and some unknown girl (to say more would spoil).

Almost all of the book is about the interactions between the historical figured themselves, and the interplay between them and their creators.

A pretty interesting read. It's not every day you get to see Socrates trick one of the Spanish Conquistadors into one of his famous dialogues! The idea of the book is interesting, but I think the book would be even better if it were written by a single author. In fact, its multiple authorship detracts from the quality, I feel, but it's nevertheless worth a read.

The story, despite taking up a meager two hundred pages, is pretty epic, spanning almost a century, and follows a small cast of long-lived characters. Earth has colonized Venus and Mars, and two religious factions, The Brotherhood of the Immanent Radiance and its offshoot Transcendent Harmony both have a piece of the puzzle that would allow man to reach the stars. In reality, the religious orders are merely fronts for scientific research (to say much more would spoil). Their icons and litanies and prayers are entirely scientific, and merely take on the clothing of a religious order. The book opens with The Electromagnetic Litany, which I can't help but quote in its entirety:

And there is light, before and beyond our vision, for which we give thanks.

And there is heat, for which we are humble.

And there is power, for which we count ourselves blessed.

Blessed be Balmer, who gave us our wavelengths. Blessed be Bohr, who brought us understanding. Blessed be Lyman, who saw beyond sight.

Tell us now the stations of the spectrum.

Blessed be long radio waves, which oscillate slowly.

Blessed be broadcast waves, for which we thank Hertz.

Blessed be short waves, linkers of mankind, and blessed be microwaves.

Blessed be infrared, bearers of nourishing heat.

Blessed be visible light, magnificent in angstroms. (On high holidays only: Blessed be red, sacred to Doppler. Blessed be orange. Blessed be yellow, hallowed by Fraunhofer’s gaze. Blessed be green. Blessed be blue for its hydrogen line. Blessed be indigo. Blessed be violet, flourishing with energy.)

Blessed be ultraviolet, with the richness of the sun. Blessed be Xrays, sacred to Roentgen, the prober within.

Blessed be the gamma, in all its power; blessed be the highest of frequencies.

We give thanks for Planck. We give thanks for Einstein. We give thanks in the highest for Maxwell.

In the strength of the spectrum, the quantum, and the holy angstrom, peace!

A short story (and novella-length) anthology from Alastair Reynolds.

The Real Story is about a journalist's quest to unravel the real story behind the first Mars landing.

Beyond the Aquila Rift is about what it means to be lost. Really lost.

Enola is about a little nomad girl's affinity for a machine (and mutatis mutandis for the machine), and what that implies.

Signal to Noise and Cardiff Afterlife are two connected stories about what happens when you make contact with parallel universes.

The next three stories, Hideaway, Minla's Flowers, and Merlin's Gun, are the longest in the anthology and form a chronological trilogy (despite being written out of order). The first one is about a so-called swallowship (huge spaceship) on the run from an alien enemy known as the Huskers. The other two are a continuation of the first, but I won't say anything about them except that all three concern the same protagonist, Merlin, and his quest for his Gun.

Angels of Ashes is a weird piece about religion and statistics (ehr, more or less)

Spirey and the Queen is about a faux war over a planetary accretion disk.

Understanding Space and Time is about one man's quest to, well, understand space and time.

Digital to Analogue is a conspiracy/thriller tale set on Earth in the nineties, and is the least science fictional (not to mention the least space operatic) one in the collection, and is about a memetic virus spreading through the club scene.

Everlasting is about the Many Worlds interpretation of quantum physics. Specifically, one man's (pretty weird) take on it.

And finally, the eponymous Zima Blue is about a pretty eccentric and long-lived artist's quest to connect with his roots.

I enjoyed almost all the stories in this collection, and before I praise this collection any further, I have to get it out of the way: Angels of Ashes and Digital to Analogue fell entirely flat for me! The ones that stood out, however, more than made up for it. In particular I immensely enjoyed the Merlin trilogy (Hideaway, Minla's Flowers, and Merlin's Gun). They are truly epic in scale, and brilliantly captures the sense of the lone ranger on a quest. Understanding Space and Time, another wonderful story, is also epic, but in its own way. I hope I'm not spoiling anything by saying that it reminded me of Asimov's The Last Question, both in form and content. (Read them both and you'll understand.) The last two items, Everlasting and Zima Blue, also had me hooked, the former for its weird speculations (and the experimental testing of said speculation...), the latter for its musings on time and memory, and the sympathy you get for the protagonist, the eccentric artist Zima.

All in all, if you enjoy pointed SF vignettes or space opera novellas, go buy this book!

First book in the series. Introduces Zoichi Kanoe, an agent of Tao Heavy Industries, and Fuyu Kanoe, his AI sidekick.

I immensely enjoyed this. High-paced action, check. Good story, check. SF background, check.

A hunted Mind is forced to escape to Schar's World and both the Culture and the Idirans (fierce tripedal warriors) want it. The book's protagonist, Bora Horza Gobuchul, is a Changer who works for the Idirans to retrieve the Mind, and the book follows his adventure.

Jernau Morat Gurgeh, a Culture citizen, has played games all his life, and is an expert at it. Being bored with success, he accepts to travel to the Empire of Azad to play one the most complex games known to the galaxy, coincidentally named Azad. The game is played on multi-layered checker boards with dice and cards, and features several different pieces, all with different strengths, weaknesses, and attributes. It is said that the moves one is able to execute in the game are so subtle that an experienced player would be able to figure out a lot about his opponent by watching him play (such as his outlook on life and his political stance). The game is so central to the society of Azad that the winner of the game is automatically the next Emperor.

The Culture hires a mercenary, Cheradenine Zakalwe, to do their dirty work, while Zakalwe tries to piece together a terrible secret in his past.

Banks fans apparently see this novel as the epitome of Culture novels. I hated it, save for the weird party in which people deliberately mutilate themselves and the curious method by which Zakalwe's body is being rebuilt after he's been beheaded. Why do I hate it? The structure. The story follows two threads, one going forward in time and another going backward; the chapters alternate between these two. I wasn't too confused by this, but I was annoyed. Perhaps I should re-read it. If you plan on reading the Culture novels, don't start with this one.

The chapters alternate between telling the story of Vosill, a king's physician, and DeWar, a Protector's bodyguard. Vosill and DeWar reside on opposite sides of a mountain where they tend to their masters (in their own ways), and although they never actually meet, there is subtle evidence that they know each other (but to say more would spoil).

This isn't a Culture novel per se. It isn't even a science fiction novel, per se. The entire story is set in something resembling medieval Earth, with kings, generals, horse riding, and concubines. That having been said, there are subtle hints at the novel's SFness, but to pick them up you need to read the previous Culture novels.

Overall, I really enjoyed it, despite its non-SFness. I think Vosill may have saved it.

During one of the most violent skirmishes in the Culture-Idiran War, a binary star system is blown up, and as the light from that event reaches the Orbital Masaq', the renowned composer Mahrai Ziller (an alien, a Chelgrian) is slated to conduct his latest masterpiece in coincidence with it. Meanwhile, another Chelgrian, the Major Quilan, is tasked with a mission (and a cover-story for that mission) whose objectives are unknown to him but which are gradually revealed (both to him and the reader).

As this is a Culture novel I could almost have recommended it without reading it, and the verdict after having read it is still the same. This is an excellent story, one of political intrigue, love lost, secret missions, espionage, and huge sceneries. I particularly enjoyed the light-hearted chapters about Uagen Zlepe and 974 Praf, the former a human-turned-simian scholar (and an all-around twitchy and funny character), the latter a pterodactyl-like sentient creature and Zlepe's companion (also pretty incompetent and funny because of that). Their extremely serendipitous doings and fallings (don't ask) did much to lighten the otherwise heavy mood.

Biron Farrill wakes up in his dorm room in the University of Earth to discover a radiation bomb. He then has to quickly escape and figure out who the assassin is.

The title is taken from a (fictional, to my best knowledge) poem:

"The stars, like dust, encircle me
In living mists of light;
And all of space I seem to see
In one vast burst of sight."

Asimov almost never disappoints, and this book is no exception. It's a well-paced and thrilling novel with interesting characters. In particular (as is common with Asimov's novels), the dialog is excellent and abundant.

Three brilliant children, Ender, Peter, and Valentine Wiggin, all rise to excellence and help the human race in their own ways. The book primarily follows Ender as he advances to become a great military leader and strategist. It is set against the backdrop of a major inter-stellar war with the Buggers, a hive-mind entity of insect-like beings, who, humanity believes, wish to wipe them all out.

The military leaders in the International Fleet (I.F.) monitor children and pick out exceedingly bright ones to go to Battle School to become commanders, and Ender is picked out after he successfully defends himself against a school bully, determined to beat him down so badly that neither he (nor his entourage) would dare mess with him again. He accepts and is shipped to the Battle School, where he rises through the ranks quickly and starts winning more and more mock battles.

The book follows a family on the Catholic colony planet Lusitania and centers around the xenologers who find an intelligent porcine alien race there which does some (to them) bizarre things. In a manner that I won't spoil, Ender is entwined into the story.

I like Speaker for the dead better than Ender's Game. There are more major characters, which is good, but also many more minor characters, which I didn't like. But the porcine alien race, which the inhabitants of Lusitania call pequeninos, were interesting enough to save the book for me. I also think Ender is an excellent speaker, and he's a likeable character.

Ender's Shadow follows Bean, a friend of Ender's in Battle School, as he grows up on the harsh streets of Rotterdam, gets accepted by the I.F., and is taken to Battle School. From there it's basically another view of Card's first book in the Ender series, Ender's Game.

Card is very good at drama and dialog, and I think this book showcases that very well. I also like the characters he develops very much. A good read.

The novel follows Bean, Petra, Achilles, Peter, and Suriyawong and the political developments on Earth after the Formics are defeated.

The story of Ender's jeesh (comrades) is further elaborated, taking place entirely on Earth.

I hesitate a little to classify this as science fiction, because it feels more like a political thriller. It was a good read, but in the end I was left disappointed. I'm no Card fan, but if you are, perhaps you'll get something more out of it.

The book's first two chapters are over briefly, describing how a group of four hostages (Lily Brooke, Piers Michaelmas, Helen Gray, and Gary Boyle) are rescued by AxysCorp after five years of imprisonment in various cellars in Barcelona by a Christian extremist group called the Fathers of the Elect (who don't play a prominent part in the story). Lily, Piers, Helen, and Gary vow to stay in touch after their long imprisonment, and the rest of the book is about a world-wide flood which seems to be rising inexorably, and without an end in sight. The chapters alternate between the characters and events haphazardly.

Interspersed between some of the chapters are small vignettes, excerpts from Kristie's journal, describing how the situation looks on the ground in various parts of the world as it floods. At some points in the book there are edited world maps showing the effects of a sea-level rise of a certain magnitude above the 2010 datum.

This is a long novel, with lots of space to really flesh out the characters and paint a picture of how a world-wide flood in the not-too-distant future would look. And what a picture Baxter paints! This really is more of a thriller/drama than science fiction, although the SF is there in the form of speculations about what causes the sea too rise so drastically, but it's really the human drama that is the main driving force of the novel.

Go read it!

Ark picks up where Flood left off. Unfortunately, the cover art sort of gives the ending of Flood away (although it's not that much of a spoiler, really). It follows the exploits of the survivors of the world wide flood, both on Earth and on the spaceship.

Like the previous book, this one is excellent. It's thick, and uses the space well to flesh out the characters and describe the drama. If you liked Flood, then you'll like the sequel. The ending was particularly satisfying.

A spaceship, The Pillar of Autumn, takes a wrong turn in hyperspace (called Slipstream Space in the Haloverse) and ends up having to crash-land on a ringworld nearby. John-117 (a super soldier popularly called Master Chief, in a battle armor) is tasked with the safe-keeping of the ship's enigmatic AI, Cortana, and the novel chronicles his attempts at rendezvousing with The Pillar of Autumn after having used an escape pod to disembark from it.

The book is a straight novelization of the game, and it suffers a bit from that fact (if you've played the game then you know that a good deal of the game is repetitive shooting). A good chunk of the book is devoted to viewing the action from other perspectives, which is good. In the end, though, it's a mediocre book. I can't recommend it if you're not a Halo fan.

A large cylindrical object is spinning so fast through the solar system that humans want to take a look at it before it whizzes past them. They dispatch the Endeavour to intersect its orbit and quickly discover that the cylinder is a spaceship of some kind designed by an intelligent species. Once they make it aboard Rama, the crew meticulously describe the interior of it and you should eventually get a really good feel for its construction. The novel details the crew's discoveries aboard Rama.