Books — hermiene.net

Manfred Macx, a heavily augmented transhuman in the early 21st century, is a visionary and a so-called venture altruist: He roams the world, giving ideas away for free and turning paradigms upside-down as a matter of course. The novel follows him towards a technological singularity, his daughter Amber through it, and her son, Sirhan, after it.

This novel is somewhat special in that it is chuck full of jargon (e.g. 419) and techno-speculation (e.g. utility fog). Have a dictionary handy if you want to avoid being drowned in it. It's when you understand all of it, if only superficially, that the novel becomes the brilliant flair of wild ideas that it is.

A passenger plane goes into a series of deep dives and climbs, killing three and injuring many. The novel spans the week following the accident, and follows the team who tries to clear it up.

Contains Grow Old Along with Me (which became Pebble in the Sky), The End of Eternity (which became a novel with the same name), and two versions of Belief (the unpublished and the published versions).

Grow Old Along with Me takes place in the Galactic Era (when humans have colonized millions of worlds) and deals with an Earth plot to take revenge at the rest of the Galaxy for its poor treatment of the Earth, and to establish the Earth as the ruling world. (As a side-note, no one in the Galaxy really knows if humanity originated on a single planet, or if they originated on several worlds more or less simultaneously and, when each planet became space-faring, met and interbred to form the humanity that is the Galactic Empire. Most adhere to the latter, which they call the Merger Theory. The former is called the Radiation Theory and is believed by a small sect on Earth calling themselves the Ancients.)

The End of Eternity is a time travel short story about the so-called Eternals who live in Eternity and alter the realities of different centuries by making quantum changes.

Belief is a story about Roger Toomey who one morning discovers that he can levitate, and centers around his attempts at getting his fellow physicists to believe him. The two versions (the unpublished and the published) differ only in the endings. My favorite of these is by far the published version of Belief (Asimov preferred the unpublished one), because it tells a beautiful story in a beautiful way. My least favorite is The End of Eternity, because time travel is full of paradoxes (and I really dislike paradoxes).

An asteroid of respectable size plunges into the Pacific, starting the apocalypse. The novel follows a group of people through it.

Overall the story is very gripping, but at times I felt there were too many characters to make each of them stand out, which made it harder to sympathize with them. The writing is good and the pacing is OK; I definitely recommend it.

Perhaps The best non-robot non-Foundation science fiction of Isaac Asimov would be a more fitting, if longer, title for the book. This is an anthology of stories chosen by Asimov himself, with commentary preceding each story.

A collection of virtually every short story of Arthur C. Clarke. See Structure for links to some of them.

The stories are of varying quality, although most are very good (and some are truly excellent). As this is a compilation, it's hard to give a verdict, but I definitely recommend it to you if you're a Clarke fan.

This is a collection of robot stories that he wrote between 1940 and 1976. They're not grouped chronologically, but by theme (and this works really well). The stories, of course, revolve around robots; non-humanoid, immobile, metallic, and humanoid (there's even an android in the last story, but I've already spoiled too much).

Some of these stories are amazing, and you should go pick up this anthology now. My favorites are A Boy's Best Friend, Victory Unintentional, Segregationist, Evidence, Feminine Intuition, and The Bicentennial Man.

An anthology with short stories which each presents a "dangerous vision" (although I would call them "visions for thought").

These thirty-two stories are all excellent in their own ways, but some stand out as superbly excellent. I've transcribed these and put them on my Short Stories page. They are Shall the Dust Praise Thee?, Evensong, The Malley System, Carcinoma Angels, and A Toy For Juliette. These are teasers, and I believe no further review is necessary. Go buy this book.

NASA discovers a meteoric rock under the Milne Ice Shelf which contains a fossil, and the story centers around this remarkable find. Involved in their own ways are a senator, a senator's daughter, a senator's aide, the U.S. President, and several organizations.

Mankind has opened Eternity, and a group of people there constantly interfere with the Centuries to iron out mistakes and keep mankind safe.

I normally don't like time-travel stories because they're confusing. This one is also pretty confusing, but it's well-written confusion, and I can recommend it on that point alone.

A collection of short stories and essays, the essays focusing for the most part on WWII and the atomic bomb.

A really nice read. I especially liked How to Be a Survivor, Nothing Ever Happens on the Moon, and Paul Dirac, Antimatter, and You.

Miniaturization is reality, but indefinite miniaturization isn't; that knowledge resides within the brain of Jan Benes, a scientist who defects to the West. Unfortunately, there is an assassination attempt which leaves Benes comatose, and a blood clot develops in his brain. A team of scientists are miniaturized and injected into Benes' body in a submarine rudimentarily outfitted with a laser and have only 60 minutes to remove the clot before they are de-miniaturized (which would make the submarine expand and in the process kill Benes).

Not a sequel to Fantastic Voyage, this novel revolves around neurophysiologist Albert Jonas Morrison and his crew's journey into the brain of a scientist by way of miniaturization. Morrison has some fringe theories on how the mind works and how it is theoretically possible to amplify brain waves and, in effect, sense thoughts. For this reason, his fellow scientists don't respect him very much, and for this reason, he is hired (read the book and you'll understand) by a team of Russian scientists who want Morrison and his computer to join them in a mission inside a man's brain to sense his thoughts.

The story, in essence, is the same as that of Fantastic Voyage, except that FV is a straight novelization of the movie script (the novel appeared before the movie, interestingly) while FVII is the same story as Asimov would have told it. I prefer the latter because the conundrums of miniaturization are discussed in much greater detail as Morrison is extremely sceptical about it at first.

Fifty short-short stories from fifty different authors are collected here.

Almost all of the stories are truly excellent, and I have transcribed some of the best ones and put them on my Short Stories page (Men Are Different, Texas Week, The Haunted Space Suit, and Counter Charm). Go there for a sample before you buy the book. (You will buy it, remember.)

Flatland chronicles the adventure of A. Square, a being in Flatland. Flatland consists of only two dimensions, as opposed to Pointland, which consists of zero dimensions, Lineland, which consists of one dimension, and Spaceland (the one we inhabit), which consists of three dimensions. It describes at length the society in Flatland, and how they go about tasks that we Spacelanders find trivial. For instance, everyone is a Polygon. The more equal all its angles and the more sides it has, the higher its social rank. Lowest are women (or the Frailer Sex, as they are often called) who are mere Lines and have no chance of rising in rank. Then come the Triangles, which are men. Then Squares (of which the narrator, A. Square, is naturally a member), Pentagons, Hexagons, Heptagons, Octagons, etc. The more sides a Polygon has, the closer it gets to being a Circle. They're the top leaders of every aspect of Flatland's society.

Flatland is a classic, and even though it's written in the 1880s in Victorian English, it's still eminently readable (and funny). You might have to read a little carefully at first to get used to the age of the language, but once you've picked it up you'll have no trouble enjoying this excellent story.

Flatterland is sort of an unofficial sequel to Abbott's classic Flatland, written in modern non-Victorian English. Although Victorian English gave the original a pretty classy feel, Flatterland doesn't disappoint. Its aim is similar to that of the original: To explain new mathematical concepts to lay people in lay language.

The book succeeds brilliantly. It's filled with illustration to help visualize the concepts, and the stories around which the concepts are introduced are reminiscent of Alice's Adventures in Wonderland (well, the fact that chapters have names like The Topologist's Tea-Party and Along the Looking-Glass probably helps), and this gives the book a whimsical tone (that's a benefit). Here's a sample:

"Is Planiturth's universe built from mathematics? Or is mathematics built by the minds of Planiturthians? Planiturthian mathematicians would like to think that their universe is built from mathematics, but that's only natural, after all. Planiturthian physicists would like to think that the Planiturthian universe is built from physics. Planiturthian biologists would like to think that the Planiturthian universe is built from biology. Planiturthian philosophers would like to think that the Planiturthian universe is built from philosophy. (Let me tell you a secret: it is. The fundamental unit of the Planiturthian universe is the philosophon, a unit of logic so tiny that only a philosopher could hope to split it.)"

The book also ventures a little into physics, explaining things like the Schrödinger's cat, the double-slit experiment, time travel, and forces. But the meat of the book is mathematics.

The first part is an anthology of short stories, while the two last parts are non-fiction dealing with concepts in science fiction and on writing science fiction, respectively.

The Axis powers of Japan and Germany wins WWII and divide the world among themselves. The story follows a small number of characters in this alternate history. The title comes from a fictitious novel called The Grasshopper Lies Heavy, written by Hawthorne Abendsen. Grasshopper is about an alternate history (from the novel's point of view) where the Allied forces won WWII. Being a heretical notion, Abendsen perpetuates a myth that he lives in a fortified house (castle); hence the title.

It was a riveting read, but I was left wondering what the point of the novel was.

A collection of short stories woven together into a coherent whole. The stories concern Mars, and humanity's efforts to colonize it.

I really enjoyed all the "chapters" (short stories), but "Usher II" really stood out, being an homage to E. A. Poe. Definitely recommended.

Follows the planet Kalgash, a planet with perpetual daylight due to having six suns, through a devastating astronomical event that only occurs every 2049 years (termed a Year of Godliness by the book's religious fanatics, the Apostles of Flame). The Apostles of Flame propagate the idea that on a precise day (Theptar the 19th, as it happens), there will be total Darkness, everyone will go mad, and the Stars will shoot fires from the skies, all as a vengeance from the gods for the wicked and sinful ways of the planet's inhabitants. A band of scientists, initially opposed to the Apostles' ideas, eventually realize, through new evidence (archaeological and astronomical), that some of what the Apostles propagate is true. Unfortunately, the population at large believes neither the Apostles nor the scientists.

Nightfall was originally a short story and people generally prefer the short story version because the book just draws it out. I will have to read the short story before I can draw a proper verdict, but I'll tentatively say, "read this book."

A group of computer programmers working under a professor discovers that the 2D simulation program they've developed, 2Dworld, is somehow connected with an actual two-dimensional world inhabited by intelligent creatures. They establish contact with Yendred, and through him, they learn a lot about his world.

This book is a sort of unofficial sequel to Abbott's famous Flatland, and it's one hell of a riveting read. I'm having a hard time making up my mind as to which of the unofficial sequels (Ian Stewart's Flatterland and Dionys Burger's Sphereland) are the superior; they're all simply really, really good.

Larry Stark, a Space Patrol Academy cadet on board the Carden, is completing his post-graduate space cruise (required to become an officer), a trip to Alpha Centauri's colonized fourth planet. Unknown to him and his crew, the planet is under revolt, and Stark is required to make some hard choices about where his loyalties lie.

It was a very pleasant read; the book is definitely a page-turner, but the ending is rather sudden. I'd like to read more of what happens after the end.

A quote:

Larry caught glimpses of the great beasts living below—living without any suspicion that the planet was no longer theirs, that its possession was being contested by two groups of absurd pygmies from another star.

This is an anthology of a few stories that are (perhaps paradoxically) not found in The Complete Robot, and a few essays about robots and computers in general.

Somewhat of a sequel to Flatland, Sphereland continues in the same vein, explaining three dimensions to two-dimensional creatures. The pace and mode of writing is pretty similar to the original, and I very much liked that. The novel things that Sphereland does is two-dimensional space exploration and explaining a curved line to a one-dimensional being (and thus setting up the explanation for why two-dimensional beings would have problems understanding a plane curved into a sphere, and by extension how three-dimensional beings would have trouble understanding how to curve a sphere around a hyper-sphere).

A classic military SF book. An alien arachnid race launches a meteor upon unsuspecting Earth which crushes Buenos Aires, plunging the two races into war.

There's a lot of monolog from the protagonist's teacher in History and Moral Philosophy, Jean V. Dubois. For me, this is really the meat of the book. The rest is character development and furtherance of the story.

There is a movie based on the novel with the same name, and it follows the novel really closely. The only things missing from it are the jump-suits the troopers wear and the so-called neo-dogs, dogs with their intelligence amped to approximately human retardedness level that are used for reconnaissance.

A man born of human parents but raised on Mars arrives on Earth and goes on to learn as much about it as possible. He learns about religion and eventually founds his own church (which turns out to be more of a school than a church) where he teaches Martian so that Martian concepts can be readily communicated and understood; things like levitation, teleportation, and telepathy are available so long as you learn the language. The title is a reference to the Bible. From the KJV, Exodus 2:22:

"And she bare him a son, and he called his name Gershom: for he said, I have been a stranger in a strange land."

This book is also the book from which the term 'grok' comes. See the Jargon file entry on grok.

I think the portrayal of Michael (the man from Mars) as he learns more and more about Earth is very well-written and his progression is reflected in his speech pretty well.

The story, despite taking up a meager two hundred pages, is pretty epic, spanning almost a century, and follows a small cast of long-lived characters. Earth has colonized Venus and Mars, and two religious factions, The Brotherhood of the Immanent Radiance and its offshoot Transcendent Harmony both have a piece of the puzzle that would allow man to reach the stars. In reality, the religious orders are merely fronts for scientific research (to say much more would spoil). Their icons and litanies and prayers are entirely scientific, and merely take on the clothing of a religious order. The book opens with The Electromagnetic Litany, which I can't help but quote in its entirety:

And there is light, before and beyond our vision, for which we give thanks.

And there is heat, for which we are humble.

And there is power, for which we count ourselves blessed.

Blessed be Balmer, who gave us our wavelengths. Blessed be Bohr, who brought us understanding. Blessed be Lyman, who saw beyond sight.

Tell us now the stations of the spectrum.

Blessed be long radio waves, which oscillate slowly.

Blessed be broadcast waves, for which we thank Hertz.

Blessed be short waves, linkers of mankind, and blessed be microwaves.

Blessed be infrared, bearers of nourishing heat.

Blessed be visible light, magnificent in angstroms. (On high holidays only: Blessed be red, sacred to Doppler. Blessed be orange. Blessed be yellow, hallowed by Fraunhofer’s gaze. Blessed be green. Blessed be blue for its hydrogen line. Blessed be indigo. Blessed be violet, flourishing with energy.)

Blessed be ultraviolet, with the richness of the sun. Blessed be Xrays, sacred to Roentgen, the prober within.

Blessed be the gamma, in all its power; blessed be the highest of frequencies.

We give thanks for Planck. We give thanks for Einstein. We give thanks in the highest for Maxwell.

In the strength of the spectrum, the quantum, and the holy angstrom, peace!

A hunted Mind is forced to escape to Schar's World and both the Culture and the Idirans (fierce tripedal warriors) want it. The book's protagonist, Bora Horza Gobuchul, is a Changer who works for the Idirans to retrieve the Mind, and the book follows his adventure.

Jernau Morat Gurgeh, a Culture citizen, has played games all his life, and is an expert at it. Being bored with success, he accepts to travel to the Empire of Azad to play one the most complex games known to the galaxy, coincidentally named Azad. The game is played on multi-layered checker boards with dice and cards, and features several different pieces, all with different strengths, weaknesses, and attributes. It is said that the moves one is able to execute in the game are so subtle that an experienced player would be able to figure out a lot about his opponent by watching him play (such as his outlook on life and his political stance). The game is so central to the society of Azad that the winner of the game is automatically the next Emperor.

The Culture hires a mercenary, Cheradenine Zakalwe, to do their dirty work, while Zakalwe tries to piece together a terrible secret in his past.

Banks fans apparently see this novel as the epitome of Culture novels. I hated it, save for the weird party in which people deliberately mutilate themselves and the curious method by which Zakalwe's body is being rebuilt after he's been beheaded. Why do I hate it? The structure. The story follows two threads, one going forward in time and another going backward; the chapters alternate between these two. I wasn't too confused by this, but I was annoyed. Perhaps I should re-read it. If you plan on reading the Culture novels, don't start with this one.

The chapters alternate between telling the story of Vosill, a king's physician, and DeWar, a Protector's bodyguard. Vosill and DeWar reside on opposite sides of a mountain where they tend to their masters (in their own ways), and although they never actually meet, there is subtle evidence that they know each other (but to say more would spoil).

This isn't a Culture novel per se. It isn't even a science fiction novel, per se. The entire story is set in something resembling medieval Earth, with kings, generals, horse riding, and concubines. That having been said, there are subtle hints at the novel's SFness, but to pick them up you need to read the previous Culture novels.

Overall, I really enjoyed it, despite its non-SFness. I think Vosill may have saved it.

Biron Farrill wakes up in his dorm room in the University of Earth to discover a radiation bomb. He then has to quickly escape and figure out who the assassin is.

The title is taken from a (fictional, to my best knowledge) poem:

"The stars, like dust, encircle me
In living mists of light;
And all of space I seem to see
In one vast burst of sight."

Asimov almost never disappoints, and this book is no exception. It's a well-paced and thrilling novel with interesting characters. In particular (as is common with Asimov's novels), the dialog is excellent and abundant.

Three brilliant children, Ender, Peter, and Valentine Wiggin, all rise to excellence and help the human race in their own ways. The book primarily follows Ender as he advances to become a great military leader and strategist. It is set against the backdrop of a major inter-stellar war with the Buggers, a hive-mind entity of insect-like beings, who, humanity believes, wish to wipe them all out.

The military leaders in the International Fleet (I.F.) monitor children and pick out exceedingly bright ones to go to Battle School to become commanders, and Ender is picked out after he successfully defends himself against a school bully, determined to beat him down so badly that neither he (nor his entourage) would dare mess with him again. He accepts and is shipped to the Battle School, where he rises through the ranks quickly and starts winning more and more mock battles.

The book follows a family on the Catholic colony planet Lusitania and centers around the xenologers who find an intelligent porcine alien race there which does some (to them) bizarre things. In a manner that I won't spoil, Ender is entwined into the story.

I like Speaker for the dead better than Ender's Game. There are more major characters, which is good, but also many more minor characters, which I didn't like. But the porcine alien race, which the inhabitants of Lusitania call pequeninos, were interesting enough to save the book for me. I also think Ender is an excellent speaker, and he's a likeable character.

Ender's Shadow follows Bean, a friend of Ender's in Battle School, as he grows up on the harsh streets of Rotterdam, gets accepted by the I.F., and is taken to Battle School. From there it's basically another view of Card's first book in the Ender series, Ender's Game.

Card is very good at drama and dialog, and I think this book showcases that very well. I also like the characters he develops very much. A good read.

The novel follows Bean, Petra, Achilles, Peter, and Suriyawong and the political developments on Earth after the Formics are defeated.

The story of Ender's jeesh (comrades) is further elaborated, taking place entirely on Earth.

I hesitate a little to classify this as science fiction, because it feels more like a political thriller. It was a good read, but in the end I was left disappointed. I'm no Card fan, but if you are, perhaps you'll get something more out of it.

A spaceship, The Pillar of Autumn, takes a wrong turn in hyperspace (called Slipstream Space in the Haloverse) and ends up having to crash-land on a ringworld nearby. John-117 (a super soldier popularly called Master Chief, in a battle armor) is tasked with the safe-keeping of the ship's enigmatic AI, Cortana, and the novel chronicles his attempts at rendezvousing with The Pillar of Autumn after having used an escape pod to disembark from it.

The book is a straight novelization of the game, and it suffers a bit from that fact (if you've played the game then you know that a good deal of the game is repetitive shooting). A good chunk of the book is devoted to viewing the action from other perspectives, which is good. In the end, though, it's a mediocre book. I can't recommend it if you're not a Halo fan.

A large cylindrical object is spinning so fast through the solar system that humans want to take a look at it before it whizzes past them. They dispatch the Endeavour to intersect its orbit and quickly discover that the cylinder is a spaceship of some kind designed by an intelligent species. Once they make it aboard Rama, the crew meticulously describe the interior of it and you should eventually get a really good feel for its construction. The novel details the crew's discoveries aboard Rama.

Seventy years after the first book, a second Rama spacecraft enters our solar system, and an expedition is again sent to rendezvous with it. They board it as easily as the first crew boarded the first spacecraft, but they soon discover a few differences between the two craft.

This book (and the subsequent ones) contains a lot character development, as they are written primarily by Lee. In this one, it doesn't seem to be going anywhere, but it takes off eventually, really.

A group of four individuals (two humans and two aliens) end up together on an expedition to a ringworld, a huge structure around a sun, akin to a slender rubber band around a speck of sand. The book chronicles their adventures on it.