Books — hermiene.net

The Abominable Earthman contains five short stories, and one long-ish one (taking up the bulk of the book).

The Abominable Earthman, the titular story, is about what happens when green-skinned aliens conquer Earth in a short span of time, and the adventures of a small group of people who are trying to overthrow them.

We Never Mention Aunt Nora is about a most curious pregnancy and an aunt who we don't talk about...

A Life and a Half is about a very bleak future which runs very efficiently, alright, but about which something else is off.

Punch is a strange little story about benevolent aliens.

The Martian Star-Gazers reads like an anthropology report on the previous inhabitants of Mars.

Whatever Counts, the longest of the stories, is about a group of colonists and the crew who are hauling them to Aleph Four, a satellite of a Jupiter-like planet a long way off (the journey takes eighteen years). There's also a rhinoceroid alien race of graceful and fast creatures who lack any kind of subconscious who feature prominently (to say more would spoil).

Three Portraits and a Prayer is a very short story about a dying scientist, his doctor, and an evil millionaire.

Unfortunately, almost all the short stories fell rather flat for me. It's all very well written, but some of the stories left me wondering what the point was. The Martian Star-Gazers stood out for me. There's not a whole lot of action in it, but the way it's written made it very interesting to read. It's written almost as thought it were a piece of anthropology, describing Martian mythology and the stars in their skies and what it meant to them. Whatever Counts, the longest story in the collection, also stood out. There aren't too many main characters and Pohl develops them in style: In the end, one really does care about them and their motives, and the aliens, the Gormen, are enigmatic and fit the story very well.

I can't recommend this one unless you really want those two stories. However, you're probably better off buying another Pohl collection with those two in them.

Manfred Macx, a heavily augmented transhuman in the early 21st century, is a visionary and a so-called venture altruist: He roams the world, giving ideas away for free and turning paradigms upside-down as a matter of course. The novel follows him towards a technological singularity, his daughter Amber through it, and her son, Sirhan, after it.

This novel is somewhat special in that it is chuck full of jargon (e.g. 419) and techno-speculation (e.g. utility fog). Have a dictionary handy if you want to avoid being drowned in it. It's when you understand all of it, if only superficially, that the novel becomes the brilliant flair of wild ideas that it is.

The first part explains the Law of Accelerating Returns, discusses the idea of an intelligence (us) creating a greater intelligence (computers), and how a machine would deal with ambiguities of language (there are at least four ways of interpreting the sentence "time flies like an arrow", laid out in the book). The second part deals with preparing the present, and discusses different ways of building brains (and uploading already-built brains to another substrate). The third part is a journey through the twenty-first century, with stops for snapshots at 2009, 2019, 2029, and 2099. At the end of each chapter is an imaginary talk with an imaginary reader, Molly, which helps explain things.

A passenger plane goes into a series of deep dives and climbs, killing three and injuring many. The novel spans the week following the accident, and follows the team who tries to clear it up.

An allegorical story of a boy who follows his dreams and heart and eventually discovers his true self and finds his treasure.

I found it a little too naive to be entertaining, but it's a cute story nonetheless.

Contains Grow Old Along with Me (which became Pebble in the Sky), The End of Eternity (which became a novel with the same name), and two versions of Belief (the unpublished and the published versions).

Grow Old Along with Me takes place in the Galactic Era (when humans have colonized millions of worlds) and deals with an Earth plot to take revenge at the rest of the Galaxy for its poor treatment of the Earth, and to establish the Earth as the ruling world. (As a side-note, no one in the Galaxy really knows if humanity originated on a single planet, or if they originated on several worlds more or less simultaneously and, when each planet became space-faring, met and interbred to form the humanity that is the Galactic Empire. Most adhere to the latter, which they call the Merger Theory. The former is called the Radiation Theory and is believed by a small sect on Earth calling themselves the Ancients.)

The End of Eternity is a time travel short story about the so-called Eternals who live in Eternity and alter the realities of different centuries by making quantum changes.

Belief is a story about Roger Toomey who one morning discovers that he can levitate, and centers around his attempts at getting his fellow physicists to believe him. The two versions (the unpublished and the published) differ only in the endings. My favorite of these is by far the published version of Belief (Asimov preferred the unpublished one), because it tells a beautiful story in a beautiful way. My least favorite is The End of Eternity, because time travel is full of paradoxes (and I really dislike paradoxes).

As the title says, this is an introductory anthology to American poetry. The introduction devotes around three pages to a synopsis of a selection of the authors' lives, and the book itself has a handful of poems from each author.

This book is pretty dated, but I still enjoyed the selection.

A history book about life, in reverse chronology.

This 600+ pages book could easily be called Dawkins' magnum opus. It's a history of life, written in reverse chronology, starting with humans and working backwards to the common ancestor to all life. The book is divided into chapters, called Rendezvous, and each rendezvous would be where two twigs on the tree of life meet. If you picture the tree of life, then the book starts at one tip of the tree, humanity, and moves progressively backwards (inwards) to the root of the tree. (Actually, this is slightly misleading. The entire tree of life is an unrooted phylogenetic tree, not a rooted one.) At each rendezvous, a joining pilgrim (sometimes several) gets a chance to tell its Tale, and the tale usually illustrates a point about biology. This is what makes this book such a joy to read. While you're reading you can (and are in fact encouraged to) imagine that you're on a pilgrimage (see subtitle), à la Chaucer's Canterbury Tales. But unlike The Canterbury Tales, this isn't a work of fiction, and you'll inevitably learn a lot of biology while you're at it.

In the book, like with most of Dawkins' books, he doesn't shy away from using technical words, but he's very meticulous about explaining ones that may be unfamiliar to the reader. Being a hobby etymologist, this is the kind of writing that I love. (The word 'Neanderthal', for instance, comes from Neander, the valley in Germany in which the original fossil was found, and 'thal', which is German for 'valley'.) And besides, it's a fun challenge for the reader to go look up the words she doesn't understand.

This is a thoroughly excellent and riveting book, but be warned that it's also a long and difficult book. Set aside a good chunk of uninterrupted time for it. I read about one-fifth of it (straight) in bed, and the rest during a thirteen-hour bus trip, and I was in a daze for a week. (Maybe partly because I read it on a bus, but mostly because the book itself is so eye-opening.)

The Illuminati steals a quarter gram of antimatter from CERN, places it somewhere inside the Vatican, and kidnaps four cardinals from under the Vatican's nose. Robert Langdon, a symbologist from America, is flown in to investigate.

An asteroid of respectable size plunges into the Pacific, starting the apocalypse. The novel follows a group of people through it.

Overall the story is very gripping, but at times I felt there were too many characters to make each of them stand out, which made it harder to sympathize with them. The writing is good and the pacing is OK; I definitely recommend it.

Phileas Fogg, a London gentleman of the Reform Club (which is actually a real club), and his French valet, Passepartout, make a £20 000 bet with the other gentlemen of the Reform Club that circumnavigation of the Earth is possible in fewer than eighty days.

One would suspect that the novel would be boring nowadays, when circumnavigation can be done in far fewer than eighty days, but this is not the case. It's not so much the feat itself as the sense of adventure that makes the novel really good (and there is plenty of adventure to go around).

The Art of War is a classic treatise on war (and tactics in war) and covers topics such as the real purpose of war, different types of ground, how to treat your soldiers, and the use of spies.

Unlike Asimov's previous compilation of jokes, Isaac Asimov's Treasury of Humor, this one isn't divided into categories; rather, it's a long story of one joke flowing neatly into the next one, with banter inbetween.

I like this style much better, as evidenced by the copious amount of dog-earing in my paperback edition.

Let me give you some samples.

One psychiatrist met another and greeted him with, "You're fine; how am I?"

A German was giving an impassioned speech at the United Nations and the interpreter was silent.

"What's he saying?" someone whispered to the interpreter.

"I don't know yet," said the interpreter. "I'm waiting for the verb."

An astronomer said, "What's the use!
Our classical knowledge is loose.
There can be nothing stupider
Than to name that world Jupiter,
When we all know it should be called Zeus."

"As for screwing," said Little Miss Muffet,
"I proclaim here and now that I love it.
I defy the authority
Of the Moral Majority.
They can take all their preaching and stuff it."

This is a collection of essays by Asimov on numbers and mathematics. It discusses how we got the concept of zero (from India via the Arabs), exponents, factorials, aleph numbers (there are actually different kinds of infinities), pi, imaginary numbers, huge numbers (like googol, but that doesn't even scratch the surface), the metric system (yum), and a host of other stuff. It also has an essay on animals and their sizes.

As with most essay collections from Asimov, this one is a sure-fire good read. Asimov explains in detail (but not too painful detail) a lot of difficult mathematics, step by careful step. Unlike a lot of his other collections, this one feels a little miscellaneous, but that doesn't at all detract from its quality.

This is a thick door-stopper of a book, dealing with all of science (and the history of science in general). It's divided into two major parts, The Physical Sciences and The Biological Sciences.

Asimov wrote very well fiction, but I think non-fiction is where he shines, and this book is no exception. Go buy it, and get an overview of the vast fields of science!

Bad Science is a book almost entirely dedicated to the exposition of poor and damaging science reporting in the media, especially medical science. (Another major point of the book is focusing on specific people in the media who Goldacre thinks are doing a poor job or a disservice to the public.) This isn't all of the book, however: some chapters (The Placebo Effect and Bad Stats stand out) go into how medical science is actually done and what methods are used in clinical trials.

I found the book both entertaining and enlightning, although the book is heavily focused on the UK. If you're from the UK then you'd probably enjoy this book much more than I did, being from Norway.

Perhaps The best non-robot non-Foundation science fiction of Isaac Asimov would be a more fitting, if longer, title for the book. This is an anthology of stories chosen by Asimov himself, with commentary preceding each story.

A very good synthesis of and commentary on the nature-nurture debate from the point of view of an evolutionary psychologist. The book is divided into six parts named "The Blank Slate, the Noble Savage, and the Ghost in the Machine" (in which Pinker outlines the debate and discusses the three doctrines in the title), "Fear and Loathing" (in which he describes the reactions from scientists and lay people to the discoveries of the modern sciences of human nature), "Human Nature with a Human Face" (in which he discusses four fears — inequality, imperfectibility, determinism, and nihilism — that seem to flow from the dismantling of the three doctrines outlined in the first chapter), "Know Thyself" (in which he attempts to allay fears by making human nature explicit), "Hot Buttons" (in which he deals with five topics — politics, violence, gender, children, and the arts — and explain how the sciences of human nature touch on these), and "The Voice of the Species" (which is a single chapter where Pinker draws examples from poetry and literature to illustrate his main points and bring the book to a natural end).

A very good book about human nature, and why gut feelings and folk theories on psychology are often wrong (or not right enough). This is the first book on evolutionary psychology I've read, so I had a little trouble keeping up with the parts of the book that described its history and methods, but I think I got the gist of those parts. I especially enjoyed the last part of the book, titled "The Voice of the Species", where Pinker quotes various poets and authors (such as Emily Dickinson, Mark Twain, and Kurt Vonnegut), in passages illuminating human nature. I can wholeheartedly recommend this book!

The Blind Watchmaker demolishes the argument from design, which was first advanced by the theologian William Paley. In short, it goes like this: If you're walking somewhere and you find a rock, you don't require an explanation for why it's there. But if you find a watch, you'll assume that the watch had a maker. Organisms are complex things, like a watch, so they, too, should require a maker (evolution is the blind watchmaker that the title alludes to). The book introduces biomorphs, creatures in a computer program that can evolve a multitude of shapes based on nine different "genes" (variables) which control how the form grows. Even with only nine genes, the number of forms that can be generated is huge, and the reader is invited to imagine walking through the (nine-dimensional!) space of possible shapes.

A short book of nonsene limericks.

Holden Caulfield is doing poorly in school, being kicked out of school after school. This new school is no different: Caulfield is being kicked out, but doesn't want to confront his parents about it. He's naive yet street-smart and resourceful, and the book follows his exploits roaming around New York City doing nothing in particular, dreaming, exploring, and horsing around.

The title is referencing a dream that Holden has about catching falling bodies coming off a cliff into a rye field. Holden, when explaining this dream to someone, is misremembering a line from the poem Comin' Thro' the Rye: "If a body catch a body / Comin thro' the rye." The line is actually "If a body meet a body / Comin thro' the rye."

A fascinating read. I especially liked the conversation in the beginning of the book between him and one of his teachers, Mr. Spencer. Mr. Spencer is trying to help Caulfield by giving him practical advice, but Holden is too distracted to really pay attention, in addition to not wanting to be there in the first place. It's funny watching him trying to worm his way out of it.

I think everyone can see something of themselves in Caulfield, even though one doesn't always empathize with him. He's not really a likeable character, but he's charming and funny, and his adventures around New York City makes for an enjoyable read.

The novel starts abruptly with two scenes of American and Russian astronauts preparing to embark on their different (irrelevant) missions, only to be halted by the sudden appearance of starships above major cities of the Earth. It's explained in short order how these benevolent aliens manage, in only a few years, to clean up our mess. War, disease, and want are all things of the past, and humanity now lives in peace with itself. Eventually the aliens make themselves and their plans known...

This novel is considered by many Clarke fans to be his best (even Clarke himself considered it that, along with The Songs of Distant Earth), and I'll have to tentatively agree (the final verdict will have to wait until I've read more of Clarke's work). The story is engaging and spans many decades, the characters are interesting, the aliens' motives understandable (and even sympathetic), the pacing is good... The only complaint I have is that I wished it was longer. It feels like there should be more to this story!

Definitely go pick this up!

The story takes place on Earth several billion years in the future. It revolves around the huge city of Diaspar, which has cloistered itself under an artificial roof. No one can leave the city, and no one even wants to. People are no longer born naturally, but emerge from the Hall of Creation. They live for centuries, and when they decide it's time to "die" they simply choose which memories they wish to keep, and are then stored in the Memory Banks, to return centuries later from the Hall of Creation. These Memory Banks also house the patterns for everything in the city (buildings, furniture, what have you) so that when one wishes something (a chair, for instance), one simply asks for it and it will materialize. As a by-product, nothing ever wears down; the city (and its inhabitants) are practically immortal.

Into this mix emerges Alvin, a Unique (meaning it's his first life). These aren't unheard of, but they're very rare. The story is really about Alvin and his adventures to unravel the secrets of the city's (and Earth's) mysterious and myth-laden past.

I thorougly enjoyed it. If I have one complaint it's that I wish we learned more about the Invaders, but this doesn't detract from the story (for reasons which I won't go into due to the spoiler potential).

Six separate stories running from the late 1800s into the deep future are interwoven in various ways. The chapters first tell the first part of each story until the middle chapter, where then the second parts of the stories are told in reverse order (see the structure, you'll understand).

I watched the movie before reading the book (in fact, watching the movie spurred me into reading it), so my review is naturally colored by that. I loved the movie, and the book is even better.

It's extremely well-written, and the tone of each chapter is fitting for the time period. The language of the chapters that take place in the future is also apt. An example from the chapter "Sloosha's Crossin' an' Ev'rythin' After", set in the deep future:

Yay, Old'uns' Smart mastered sicks, miles, seeds an' made miracles ord'nary, but it din't master one thing, nay, a hunger in the hearts o' humans, yay, a hunger for more.

I strongly recommend this novel. It's a joy to read from start to finish.

A collection of virtually every short story of Arthur C. Clarke. See Structure for links to some of them.

The stories are of varying quality, although most are very good (and some are truly excellent). As this is a compilation, it's hard to give a verdict, but I definitely recommend it to you if you're a Clarke fan.

This is a collection of robot stories that he wrote between 1940 and 1976. They're not grouped chronologically, but by theme (and this works really well). The stories, of course, revolve around robots; non-humanoid, immobile, metallic, and humanoid (there's even an android in the last story, but I've already spoiled too much).

Some of these stories are amazing, and you should go pick up this anthology now. My favorites are A Boy's Best Friend, Victory Unintentional, Segregationist, Evidence, Feminine Intuition, and The Bicentennial Man.

Cosmic View is the inspiration for the 1977 IBM short video Powers of Ten. It's a pretty short book written for children (though it's very interesting for adults as well) about the relative sizes of things in the universe. The book differs a bit from the video, mainly in that it explores each scale at more depth.

The book starts out showing a girl in Holland, zooming outwards, each time by a factor of ten, 25 times (so that the scale ends up being 1:10²⁵). Each image is accompanied by a bit of explanatory text. Halfway through, the book then zooms inwards, ending at a scale of 10¹²:1, about the size of an atomic nucleus.

I found the book pretty fascinating, if a bit short and not as detailed as I'd wished it to be. However, I can't hold that against it as it's really a children's book. I can heartily recommend it.

Cosmos is, as its title suggests, a book about the Cosmos. It's based upon (and can be considered a companion to) the TV series of the same name. There are thirteen chapters, each corresponding to the thirteen episodes.

The Shores of the Cosmic Ocean is setting the tone for the rest of the book. Sagan discusses the Cosmos on its largest scales, putting the Earth in perspective. He then discusses early attempts to measure the size of the Earth.

One Voice in the Cosmic Fugue is about evolution and our own species. It discusses various potential biologies that could be evolved on other worlds and muses on the implication of all this.

In the chapter Harmony of the Worlds, Sagan really shines. This chapter deals with astrology, astronomy, and the histories of both. (Sagan was an astronomer.) He explains Kepler's Laws, goes into the geocentric vs heliocentric models of the Solar System, and the history of planetary observation and theory-making.

Heaven and Hell is all about comets and asteroids. Sagan discusses the Tunguska event and the impact craters on the Moon, among other things.

Blues for a Red Planet is about Mars in fiction and fact. He goes into the canali of Giovanni Schiaparelli and Percival Lowell, H. G. Well's The War of the Worlds, and the Barsoom novels of Edgar Rice Burroughs. He then discusses the Mars probes and the potential for terraforming Mars.

Travelers' Tales is about the sailing ships and the discoveries made during the Age of Exploration, with respects to astronomy and the study of the Cosmos.

The Backbone of Night is a discussion of myths from around the world on the creation and system of the Universe, veering into a discussion of the scientific explanations (and the evidence). There's a very charming three pages of imagined inner monolog by a curious and primitive ancestor dealing with his explanation for the stars. The chapter title is a reference to the name for the Milky Way that the !Kung people of the Kalahari desert use for it.

Travels in Space and Time is about the immensity of space and time. It begins with a discussion on constellations and astrology, and has a wonderful illustration of how a constellation (in the example, The Big Dipper) would look from other angles and in other eras. It then launches into an extended explanation of the speed of light and the various paradoxes attending it (such as time dilation).

The Lives of the Stars is about atoms, chemistry, and the lives of the stars (ahem), meaning the fates and types of stars (white dwarfs, neutron stars, supernovas, etc.).

The Edge of Forever lives up to its title. Its subject matter is the beginning of time, the extent of the Cosmos, and a very entertaining discussion on higher dimensions (reminiscent of, even directly referent to, Flatland). It also discusses mythological theories on the nature of time and the Cosmos.

The Persistence of Memory is about information, in the form of DNA and brains.

Encyclopaedia Galactica is really about galactic citizenship. It goes into UFOs, SETI, the Drake equation, and contact with other intelligent beings (what it would look like and what the implications would be). This is one of the more interesting chapters.

The book ends on a somewhat morose note with Who Speaks for Earth? The chapter deals with the planet and its various challenges, most conspicuously nuclear weapons and what to do about the potentiality of our destroying ourselves. After so many chapters of uplifting speculations and explorations of immensity, this chapter is a very sobering read.

Where to start? When I watched the TV series in 2007 I was utterly blown away, and the book is even better. Being a book it's also much more detailed. If you've read anything by Sagan you know what to expect, but this work is simply breath-taking in its breadth and depth. It's personal, uplifting, educational, interesting... If you want to get a (biased, in a good sense) overview of the history of ideas and science, go read it.

This novel primarily follows three people: Carol Dawson, a journalist for the Miami Herald; Nick Williams, a diver, adventurer, and boat owner; and his partner, Troy Williams. Carol, interested in a curious incident of a beached whale and a rumour about a submerged Navy missile, decides to enlist the help of Nick and Troy.

Unfortunately, this novel isn't so much science fiction as thriller and drama, which was a little disappointing. It would make a good movie I think, but as a novel the story isn't driven forward as it should, there is too much characterization (without meaning), and the ending fell absolutely flat for me. You can safely skip this one.

Originally a series of short stories, this novel is about quiet Middle American life in the fictional Green Town, Illinois. The story mainly follows twelve-year-old Douglas Spaulding and his brother, Tom, with minor characters scattered about. The novel is about nothing in particular, except the musings of Doug about rather adult themes like life and death.

The title is a metaphor for good summer memories, and in the story it's a real beverage that Doug and his grandfather actually tap into bottles for the long winter ahead.

There is a sequel, Farewell Summer.

Despite being well-written, I found this novel at times boring, and I was a little disappointed that it didn't go anywhere; there's no real story here. There are a few memorable scenes, however, like the meeting between the gang (Doug, Tom, and Charlie) and Colonel Freeleigh and between the young reporter and the old woman.

An anthology with short stories which each presents a "dangerous vision" (although I would call them "visions for thought").

These thirty-two stories are all excellent in their own ways, but some stand out as superbly excellent. They are Shall the Dust Praise Thee?, Evensong, The Malley System, Carcinoma Angels, and A Toy For Juliette. Go buy this book.

A review, synopsis, and a criticism of Dawkins' The God Delusion, The Dawkins Delustion? examines the issues raised there.

The book is pretty well presented, but unfortunately it was very boring and lacks substance. It really could be shortened down to an essay. The main message from the book is that Dawkins' book doesn't take enough into account, and that his criticism of religion is unfounded.

NASA discovers a meteoric rock under the Milne Ice Shelf which contains a fossil, and the story centers around this remarkable find. Involved in their own ways are a senator, a senator's daughter, a senator's aide, the U.S. President, and several organizations.

The Demon-Haunted World deals with human imagination, science, and scepticism, in a nutshell. In reality it's so much more: It's a defense of scepticism, an advertisement for science, a crash course in wonder, and an explanation of science and what it's all about. My favorite chapters, I think, are The Dragon in My Garage and The Fine Art of Baloney Detection.

I can't remember where I got this book, but I reckon it's pretty rare to come across as it's not normally sold, but was given away free with the October 1995 issue of BBC Focus. It's an anthology of short science fiction stories from budding British authors.

A few of the stories fell flat, but some are good (I really enjoyed Blood Music). If you happen to come across it, you might want to buy it, if only for its rarity.

Being the inspiration for the movie The 13th Warrior, this is a story about an Arab's adventures with Vikings, battling a dangerous and mysterious enemy who might or might not be completely human, the Eaters of the Dead (which they do).

I really enjoyed this one, mainly because of the intelligence and questioning nature of the protagonist, the Arab Ahmad ibn Fadlan (a real person). He is sent as an ambassador by the Caliph of Baghdad to the king of the Volga Bulgars, although he never reaches his destination, instead joining a band of Vikings in their quest to beat the wendol, as the Vikings call the Eaters. I give it a thumbs-up.

This is a collection of Poe's works. It's a big and beautifully-bound book, with illustrations for all the stories and poems.

If you've never read anything by Edgar Allan Poe before, you're in for a major treat. I can highly recommend some stories: The Pit and the Pendulum (about a man being kept captive during the Spanish Inquisition), The Gold Bug (about a man discovering an ancient treasure map), The Premature Burial (about exactly what the title says), The Cask of Amontillado (about a drunk man meeting a horrifying death), The Tell-Tale Heart (about a murderer who hallucinates his victim's heart beat), and Shadow — A Parable (about whispers in the night, not to spoil it). I can heartily recommend this book, or any other Poe collection, for that matter.

Mankind has opened Eternity, and a group of people there constantly interfere with the Centuries to iron out mistakes and keep mankind safe.

I normally don't like time-travel stories because they're confusing. This one is also pretty confusing, but it's well-written confusion, and I can recommend it on that point alone.

The central thesis in End of Faith is that faith is dangerous, because beliefs unsupported by evidence, when put into action, can't be reasoned with. Harris gives a lot of historical examples of this (indeed, the book has a pretty extensive bibliography in the back), and the book is peppered with endnotes (and a few pages-long ones, at that!).

The last two chapters are called A Science of Good and Evil (where Harris tries to map out an emerging science of morality) and Experiments in Consciousness (where Harris basically advocates meditation as a rational way of garnering knowledge about subjectivity, and where he doesn't reject the notion of consciousness surviving physical death). While I reject the notion that personhood survives death (that is, I think consciousness is dependent upon the brain being able to function properly and that when it eventually succumbs to decay, that'll be the end of us), I can wholeheartedly join Harris in admitting ignorance on that question.

While I can't say the book was an entirely enjoyable read, it's definitely well-written and engaging. What turned me off was the incessant referencing to past atrocities. However, that was in part (I think) the intent of the book, and in that sense it succeeded. I can definitely recommend it, nonetheless.

This 1986 Drexler book is a seminal work on molecular nanotechnology. It's very well-written and very well-paced, and charts some of the possibilities and dangers with upcoming technologies such as nano-sized robots and true artificial intelligence. Despite being extremely future-optimistic (which it has every right to be, of course), it's also extremely rational; it gives examples of disagreements and somewhat tries to refute these.

The book describes how tiny robots might build a light-weight and sturdy rocket engine in a vat, how a person might be frozen and then thawed several years later (cryonics), and how tiny robots might act as a tight-fitting and light spacesuit. These are very excellent descriptions, and it's very hard not to imagine these things with awe.

The book is very quotable, too. Check out this one, for instance, which criticizes Jeremy Rifkin's Entropy: A New World View, a controversial book about entropy and how it relates to human activities:

"The entropy threat is an example of blatant nonsense, yet its inventors and promoters aren't laughed off the public stage. Imagine a thousand, a million similar distortions - some subtle, some brazen, but all warping the public's understanding of the world. Now imagine a group of democratic nations suffering from an infestation of such memes while attempting to cope with an era of accelerating technological revolution. We have a real problem."

Or how about this one (describing a limit of molecular technology):

"Trying to change a nucleus by poking at it with a molecule is even more futile than trying to flatten a steel ball bearing by waving a ball of cotton candy at it. Molecular technology can sort and rearrange atoms, but it cannot reach into a nucleus to change an atom's type."

Go read this book now.

Being one of the few surviving early epic poems in the world (dating to the third millennium BCE), Gilgamesh tells the story of Gilgamesh, a god-king of Uruk who the gods see as arrogant. They create Enkidu, a wild beast that eventually befriends Gilgamesh. They travel together to the cedar forest and battle Humbaba, a fiendish guardian. They successfully defeat him, but eventually Enkidu dies, and Gilgamesh becomes painfully aware of his own mortality. Not liking that, he sets out on a journey to find ever-lasting life.

The paperback edition that I read is only 62 pages, so it's a very light read. The story is engaging, but not really engagingly written (doubtless because of its age and the act of translation). Nevertheless, I recommend it if only for its prominent status. (Note: There are several free online translations. I originally read it online, but I can't find the version I read, so you could Google it if you want. However, my guess is that a translation from a proper book is best.)

A collection of short stories and essays, the essays focusing for the most part on WWII and the atomic bomb.

A really nice read. I especially liked How to Be a Survivor, Nothing Ever Happens on the Moon, and Paul Dirac, Antimatter, and You.

It's the near future, and the Moon is a place for tourism. The novel opens with Pat Harris, skipper of the boat Selene, enjoying a cruise with his two-dozen-or-so passengers across the (fictional) Sea of Thirst. At the time of the novel's writing in 1960 it was reasonably assumed that the so-called "seas" of the Moon consisted of very fine dust. Selene, therefore, was imagined as a ship capable of crossing these seas. However, like an ant falling into an antlion's trap (the analogy is one of the character's), Selene sinks into the Sea of Thirst, and the rest of the novel is concerned with, alternately, the people aboard, the search party above, and the various other interested parties (TV crews, overseers, and what have you).

An immensely gripping novel! To call it science fiction is technically correct, but the SF serves merely as the backdrop for the human drama. And what a drama it is! Go pick this up!

Miniaturization is reality, but indefinite miniaturization isn't; that knowledge resides within the brain of Jan Benes, a scientist who defects to the West. Unfortunately, there is an assassination attempt which leaves Benes comatose, and a blood clot develops in his brain. A team of scientists are miniaturized and injected into Benes' body in a submarine rudimentarily outfitted with a laser and have only 60 minutes to remove the clot before they are de-miniaturized (which would make the submarine expand and in the process kill Benes).

Not a sequel to Fantastic Voyage, this novel revolves around neurophysiologist Albert Jonas Morrison and his crew's journey into the brain of a scientist by way of miniaturization. Morrison has some fringe theories on how the mind works and how it is theoretically possible to amplify brain waves and, in effect, sense thoughts. For this reason, his fellow scientists don't respect him very much, and for this reason, he is hired (read the book and you'll understand) by a team of Russian scientists who want Morrison and his computer to join them in a mission inside a man's brain to sense his thoughts.

The story, in essence, is the same as that of Fantastic Voyage, except that FV is a straight novelization of the movie script (the novel appeared before the movie, interestingly) while FVII is the same story as Asimov would have told it. I prefer the latter because the conundrums of miniaturization are discussed in much greater detail as Morrison is extremely sceptical about it at first.

Farewell Summer is a sequel to Dandelion Wine, and takes place the following year (another summer). It continues the theme of a boy's childhood summer, and adds in a conflict (of sorts) between two generations.

Like its prequel, I found this novel too a little boring, but the scene where the mischievous boys sneak into the clock tower was entertaining. I can't recommend this one, but if you liked the prequel, chances are you'll like this one as well.

This book is in large part about particle physics, with the main theme being an exploration of dark matter and its implications. There are very few equations, and those are fairly simple to follow. However, there's a lot of physics jargon, making it a little hard to follow at times for the non-physicist.

As a layman I found this book very interesting, although I feel someone with a deeper knowledge of physics (in particular particle physics) would enjoy it even more. Nonetheless, Krauss makes a valiant effort at explaining a very difficult subject. I especially enjoyed the long section about how we've modeled (and simulated) the formation of large-scale structure. It's really amazing how well gravity can explain large structures. If you're at all interested in dark matter, I heartily recommend this book, even though it's a little dated by now (for instance, it talks about the Superconducting Super Collider).

Fifty short-short stories from fifty different authors are collected here.

Almost all of the stories are truly excellent, and I have transcribed some of the best ones and put them on my Short Stories page (Men Are Different, Texas Week, The Haunted Space Suit, and Counter Charm). Go there for a sample before you buy the book. (You will buy it, remember.)

Flatland chronicles the adventure of A. Square, a being in Flatland. Flatland consists of only two dimensions, as opposed to Pointland, which consists of zero dimensions, Lineland, which consists of one dimension, and Spaceland (the one we inhabit), which consists of three dimensions. It describes at length the society in Flatland, and how they go about tasks that we Spacelanders find trivial. For instance, everyone is a Polygon. The more equal all its angles and the more sides it has, the higher its social rank. Lowest are women (or the Frailer Sex, as they are often called) who are mere Lines and have no chance of rising in rank. Then come the Triangles, which are men. Then Squares (of which the narrator, A. Square, is naturally a member), Pentagons, Hexagons, Heptagons, Octagons, etc. The more sides a Polygon has, the closer it gets to being a Circle. They're the top leaders of every aspect of Flatland's society.

Flatland is a classic, and even though it's written in the 1880s in Victorian English, it's still eminently readable (and funny). You might have to read a little carefully at first to get used to the age of the language, but once you've picked it up you'll have no trouble enjoying this excellent story.

Flatterland is sort of an unofficial sequel to Abbott's classic Flatland, written in modern non-Victorian English. Although Victorian English gave the original a pretty classy feel, Flatterland doesn't disappoint. Its aim is similar to that of the original: To explain new mathematical concepts to lay people in lay language.

The book succeeds brilliantly. It's filled with illustration to help visualize the concepts, and the stories around which the concepts are introduced are reminiscent of Alice's Adventures in Wonderland (well, the fact that chapters have names like The Topologist's Tea-Party and Along the Looking-Glass probably helps), and this gives the book a whimsical tone (that's a benefit). Here's a sample:

"Is Planiturth's universe built from mathematics? Or is mathematics built by the minds of Planiturthians? Planiturthian mathematicians would like to think that their universe is built from mathematics, but that's only natural, after all. Planiturthian physicists would like to think that the Planiturthian universe is built from physics. Planiturthian biologists would like to think that the Planiturthian universe is built from biology. Planiturthian philosophers would like to think that the Planiturthian universe is built from philosophy. (Let me tell you a secret: it is. The fundamental unit of the Planiturthian universe is the philosophon, a unit of logic so tiny that only a philosopher could hope to split it.)"

The book also ventures a little into physics, explaining things like the Schrödinger's cat, the double-slit experiment, time travel, and forces. But the meat of the book is mathematics.

An explorer of the North Pole picks up a weary and battered Victor Frankenstein. Victor is on the run from his creation, who is trying to kill him. The captain of the ship listens to Frankenstein's story (which makes up the meat of the novel).

What struck me about the novel was how mild-mannered, eloquent, and initially innocent Frankenstein's so-called monster is. The monster spends a good chunk of the novel in the forest, trying to make a living, and he meets a family living in a forest cabin.

This novel is a classic, and extremely well-written. I heartily recommend it. If you're not versed in Victorian English I recommend that you get a version with notes to explain language usage. Otherwise, a lot of things won't make sense.

This is a book about applying statistics to unconventional problems and seeing where that leads you. For instance, the book argues that Roe v. Wade was a more contributing factor to the recent drop in crime rates in the US than any other. The explanation? The people who are most inclined to become criminals (children of poor single-parent blacks) simply aren't there when, had they been born, they would have begun their criminal careers.

This is a book about copyright — what it meant originally, what it means now, what it regulated originally, what it regulates now — and about how new technology should force us to rewrite old laws so that common sense prevails.

In my opinion, a must-read for anyone interested in freedom, culture, and copyright. Parts of the book are unfortunately very dull and not very well-structured (and also written in Lawyerese), but the subject matter is more important (besides, the parts that aren't dull are exceedingly good).

Using psychology, results from neuroscience, and clever reasoning, Sam Harris shows how free will is an illusion.

The God Delusion unapologetically criticizes religion (as the title implies, belief in gods is a delusion, on the same level as believing you're Napoleon). First off, he tries to avoid confusion with the way Einstein and Hawking have used religious terms to express their appreciation of contemplating the universe, by invoking what he calls Einsteinian religion (neither Einstein nor Hawking are theists, by the way). In that respect, Dawkins tells us that he's a deeply religious non-believer, but dislikes using the word, instead preferring to reserve it for traditional religion.

Details the history of physics from Thales in antiquity up to the present.

The title of the book refers to the Higgs boson, a particle now (at the time of writing, September 2009) being sought by the LHC (Large Hadron Collider) particle accelerator in Geneva. The book does a good job of explaining particle physics, and it's funny, too. The book is a little out-dated in that it refers to the now-cancelled SSC (Superconducting Super Collider) accelerator. There are some very entertaining passages in the book where Leon talks physics with an imaginary Democritus (Democritus of Abdera was the first Greek to suggest that the world was made of atoms), which I immensely enjoyed.

I heartily recommend this book if you want to learn a little bit of particle physics.

The first part is an anthology of short stories, while the two last parts are non-fiction dealing with concepts in science fiction and on writing science fiction, respectively.

A demon and an angel, Crowley and Aziraphale, having become good friends on Earth, decide to postpone the end of the world by keeping a close eye on the Antichrist, making sure he doesn't make a choice between good and evil.

The Grand Design is a book about how the universe can come from nothing. It explores and explains M-theory and speculates about the elusive Theory of Everything.

"One can't prove that God doesn't exist, but science makes God unnecessary."

A book about scientists from Euclid, Archimedes, and Ptolemy to Faraday, Darwin, and Hawking, and the science they invented or practiced.

A book about the evidence for evolution.

The first chapter begins by inviting the reader to imagine that they're a teacher of Roman history, and that they have to waste their time with a rearguard defense against people who try to persuade your pupils that there never was a Roman empire (which is akin to how biologists today have to spend their time).

The rest of the book is devoted to laying out the actual evidence for evolution, while debunking some claims against it (for instance, that there are missing links, which is simply based on a Victorian misunderstanding). I found the chapters dealing with radiometric dating and dendrochronology especially enlightening.

The last chapter takes the last paragraph of Darwin's On the Origin of Species and unpacks and explains it, with each sentence being a sub-heading.

Dawkins says in the book that he wrote this book, a book about the evidence for evolution, because none of his other books explicitly lay this out (they only assume evolution is true). In contrast, this book lays it all out, in meticulous detail.

It's a relatively light read, but as with most books of this kind, you have to pay close attention when reading, or you might miss important points. I definitely recommend it.

This book is a collection of essays from Paul Graham, most of which can be found on his web site (with the exceptions of Good Bad Attitude, Mind the Gap, Programming Languages Explained, and The Dream Language). The essays deal with the hacker culture, startups, and how to make good things.

The Happy Atheist is Myers' first book. Readers familiar with his blog Pharyngula will know what to expect. The book deals with religion and atheism from a lot of different angles, and in essence it's a popular book written for a popular audience, using popular arguments. This is not to say that the book is simplistic, just that it isn't scholarly. If you want a preview of the book, read his essay "Planet of the Hats", which in the book is the chapter called "About the Author".

I half-expected the book (having read Myers' blog) to be much more angry than it is. In fact it's a very funny, lively, and readable book, and at no point was I bored. (In fact, I had trouble putting it down. I didn't read it in one sitting, but two.)

The author claims that a planet, Hercolubus, is headed for Earth, and that this is something scientists deny. The author further claims that nothing we do can stop it.

What can I say? I read it on a bus trip because I was bored, and I can't remember where I got the book. I can't recommend it. If you're interested, however, you might find out more about it online.

Goes through the human body, from head to torso, muscles to blood, skin to genitalia, explaining in good detail how it all works.

As always, it's written in clear prose, and is easily accessible. If you have a moderate interest in human anatomy, this is the book for you.

A group of people (a Bellman, a Boots, a Bonnet-maker, a Barrister, a Broker, a Billiard-marker, a Banker, a Butcher, a Baker, and a Beaver) leave on a ship to hunt the eponymous snark, a strange creature which, if it is of the Boojum type, will make you vanish and never be seen from again!

A very short, humorous, and entertaining absurd poem; the helmsman's brought a blank map (much easier to read, you see), the Baker forgets his name and luggage, the captain gives contradictory navigation orders, etc. Some words are just made up, like Snark, Boojum, and fromious. The general feel of the poem is of playful punning and light-hearted rhymes. I definitely recommend it, though since it's so short, there's not much to say about it.

This is Asimov's third and last autobiography, started in early 1990 after a complicated operation, and finished in May 1990 (Asimov died in 1992). His two previous autobiographies are called In Memory Yet Green and In Joy Still Felt, and their titles, Asimov tells in this book, are from a poem by Asimov himself:

"In memory yet green, in joy still felt
The scenes of life rise sharply into view.
We triumph; Life's disasters are undealt,
And while all else is old, the world is new."

From this, Asimov wanted to call this third volume The Scenes of Life, but sadly that title didn't survive editorial tampering.

This is a more or less chronological account of Asimov's life, arranged in 166 smallish chapters, each dealing with a different subject or person (Asimov had a lot of well-known friends), and everything is thoroughly entertaining. If you pick up this book, I promise you'll have a hard time putting it down.

The year is 2276, and the furthest world colonized by mankind is Titan, the largest moon of Saturn (and one of the largest in the Solar System). Titan is home to a quarter of a million people, selected for intelligence, endurance, and any other characteristic necessary for such a mission. Among them is a powerful political trio, Malcolm Makenzie (the "grandfather"), Colin Makenzie (the "father"), and Duncan Makenzie (the "son"), Colin being a clone of Malcolm, and Duncan in turn being a clone of Colin. Duncan is sent as an emissary to Earth for the fourth Centennial of the United States. The bulk of the novel follows Duncan on his adventures on Earth.

A good novel, but not excellent; the end of the book doesn't tie up enough loose ends, and the book is more about politics than science fiction. Not necessarily a bad thing, but I felt sort of cheated.

I'll still recommend it. There's a wonderful scene where Duncan's grandmother presents him with a set of pentominoes made of Titanite (a crystal native to Titan) and a ten-by-six box into which to fit the pieces (see the Wikipedia article for solutions).

The first part of the book is all about Ayaan's upbringing in Somalia (and her later emigrations elsewhere), while the latter part is about her career in the Netherlands and beyond.

Ayaan describes her life in such vivid detail that it's impossible not to be drawn in by her writing. I found the first part of the book, if not boring, then at least not gripping, but by the latter part of the book, I was totally absorbed. She writes with intelligence and wit, and hers is a most amazing story. Highly recommended reading.

Part 1

Alonso Quixano is a hidalgo (noble-born gentleman) from La Mancha who spends his time devouring popular romance novels (romance novels back then meant books of chivalry, unlike today). The novel opens with his becoming so obsessed with them that he starts deluding himself into thinking he's a knight-errant, a vagrant knight in shining armor slaying dragons, rescuing princesses, righting wrongs, helping the helpless, and, of course, fighting giants disguised as windmills.

Despite his being well-spoken, and in every sense rational, about this one point of being an old-fashioned knight he is stark raving mad; Don Quixote manages to rationalize (explain away) all his delusions, most of the time relying on a malevolent sage intent on enchanting everything from windmills (giants) to inns (castles) to a barber's water basin (the Helmet of Mambrino).

Very quickly (and later in the novel, often) Don Quixote gets into trouble. He is round and about seeking adventure when he comes upon some traders who are making fun of his beloved Dulcinea del Toboso. Not taking that lightly he engages them in combat, and is soundly beaten. A humble farmer from Quixote's home town, Sancho Panza, takes care of him and after being promised an island to rule over once they are done adventuring, Panza joins Quixote as his trusted squire, always being the sense to Quixote's nonsense.

This is an exceedingly funny novel. There are some scattered bits of seriousness here and there (even a novella quoted — or rather told by one of the characters — mostly in its entirety, taking up three chapters) but whenever Don Quixote re-enters the scene, expect hilarity to ensue.

Part 2

Coming...

Part 1

Coming...

Part 2

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As advertised on the front cover, the book contains 640 jokes, anecdotes, and limericks, complete with notes on how to tell them. The jokes are sorted into eleven chapters (Anticlimax, Shaggy Dog, Paradox, Put-down, Word Play, Tables Turned, Jewish, Ethnic, Religion, Marriage, and Bawdy), more or less successfully (apparently it's hard to classify jokes).

Most of the jokes are pretty good, and some stand out. Here's a little selection:

Science has a language of its own which sometimes puzzles laymen. The word "obvious" is a case in point.

Thus a professor of physics, deriving some profound point of theory for the class, scribbled an equation on the board and said, "From this, it is obvious that we can proceed to write the following relationship —" and he scribbled a second equation on the board.

Then he paused. He stared hard at the two equations and said, "Wait a while. I may be wrong —"

He sat down, seized a pad and started to write furiously. He paused for thought, crossed out what he had written, and began over. In this fashion, half an hour passed while the class held its breath and sat in absolute silence.

Finally, the professor rose with an air of satisfaction and said, "Yes, I was right in the first place. It is obvious that the second equation follows from the first."

Two gentlemen, both hard of hearing and strangers to each other, were about to ride the London Underground. One of them, peering at the station they were entering, said, "Pardon me, sir, but is this Wembley?"

"No," said the other, "Thursday."

"No, thank you," said the first, "I've already had my little drink."

The Latin professor arrived home in a state of utter confusion, and much the worse for wear. His jacket was torn, his trousers muddy, his hat a battered ruin, his eyeglasses bent askew.

His wife ran to him, startled. "Septimus," she cried, "whatever has happened to you?"

"Why, my dear," said the professor, seating himself carefully, "I scarcely know. I was passing the corner of Second and Main when, without provocation of any sort on my part, I was suddenly assaulted by two hoodla."

The curator of one zoo was shipping several animals to another zoo, and wrote an accompanying letter which said in part, "Included are the two mongeese you asked for."

The curator paused. "Mongeese" looked funny.

He tore up the letter and tried again, saying, "Included are the two mongooses you asked for."

That looked funny, too.

After long thought, the curator began a third time and now completed it without trouble. He wrote in part, "Included is the mongoose which you requested. Included is also the other mongoose which you also requested."

Tell me why the stars do shine;
Tell me why the ivy twines;
Tell me why the skies are blue;
And I will tell you why I love you.

Nuclear fusion makes the stars to shine;
Tropisms make the ivy twine;
Rayleigh scattering makes skies so blue;
Testicular hormones is why I love you.

I highly recommend the book.

A beautifully illustrated book about the various life forms found on our planet.

I wish I could read the original German, but I can't claim to have read the book. Maybe I'll someday find a good translation, but in the mean time, if you too don't read German, enjoy the wondrous images! See Kurt Stüber's wonderful 300 DPI scans, which are simply amazing.

This book is a criticism of religion. Specifically, it criticizes the inherently stupid things being done by humans in the name of the particular branch of religion that they happen to have been brought up with (like opposing abortion, stem-cell research, and embracing the idea of martyrdom). It's written as an open letter to a Christian, so it didn't particularly speak to me, but I imagine a Christian might have a mind-opening experience if he read it.

A collection of imaginary letters to a young contrarian. The beginning of each letter imagines that the reader has sent a reply to the previous one, and the current one is a reply to that, so that reading the book seems to be a conversation. The book deals with how to be a public intellectual with contrary views, and how to deal with all the hardships that come with that obligation.

It's a very short book, and once started, it's very hard to put it down. Hitchens is a very eloquent writer, besides being knowledgeable and engaged. In the book he deals a little bit with his public confrontations (his criticism of Mother Theresa and Henry Kissinger, for instance), really as examples for pontificating on the life of a contrarian. There's a little part of the book that I liked where he explores various words for a contrarian, such as rebel, revolutionary, and an "angry young man".